Welcome to the Thrillerfest V Blog!

We hope you'll bookmark us, just as you bookmark so many of the hundreds of the International Thriller Writers that participate in our annual conference, held in New York City in July.

ITW is a youthful organization, always ready for a new way of looking at things. You'll find that dynamism here, in blog posts from authors, agents, editors and Thrillerfest attendees, past and present.

And that same excitement you feel from your favorite reads is evident in everything ITW does, and no wonder--the organization, staffing and publicity for ThrillerFest--including this new blog--is undertaken by volunteers, most of whom are ITW authors themselves.

So pull up a chair and stay awhile ... discover the latest news on what Thrillerfest V--the fifth anniversary of the conference--has to offer. Visit old friends, make new ones, ask questions, and hear about the remarkable things in store for the conference.

Whether or not you can come see us in New York--and we hope that you can!--please join us here. It's gonna be ... a thriller!

Kelli Stanley, Thrillerfest Publicity Committee Chair

Thrillerfest Publicity Committee:
Jeannie Holmes
CJ Lyons
Carla Buckley
Grant McKenzie
Showing posts with label ThrillerFest. Show all posts
Showing posts with label ThrillerFest. Show all posts

Saturday, July 10, 2010

The 2010 Thriller Awards

During a gala banquet and celebration held on Saturday, July 10 at the Grand Hyatt in New York City, the International Thriller Writers announced the winners of the 2010 Thriller Awards.


They are:

Best Hard Cover Novel:
THE NEIGHBOR, Lisa Gardner

Best Paperback Original Novel:
THE COLDEST MILE, Tom Piccirilli

Best First Novel:
RUNNING FROM THE DEVIL, Jamie Freveletti

Best Short Story:
A STAB IN THE HEART, Twist Phelan


Also receiving special recognition during the ThrillerFest V Awards Banquet:

Ken Follett, ThrillerMaster
in recognition of his legendary career and outstanding contributions to the thriller genre

Mark Bowden, True Thriller Award

Linda Fairstein, Silver Bullet Award

US Airways, Silver Bullet Award (Corporate)


The board of directors and members of the International Thriller Writers wish to congratulates all the winners and nominees of the 2010 Thriller Awards.

Tuesday, July 6, 2010

Steve Berry and Jon Land talk about Thrillerfest

ThrillerFest is days away! 


I caught up with Steve Berry and Jon Land at BEA and asked them what they're looking forward to most.
Steve gets to interview Ken Follett and Jon gives us some humor and insight!



Steve Berry






Jon Land







You can find out more about Steve Berry at www.steveberry.org and you can find Jon Land at http://www.jonland.net.

Saturday, June 26, 2010

Sample the Thrill - Terror's Reach by Tom Bale

One of many great articles that you can find each month in The Big Thrill!

A burning summer's day explodes into violence. A murderous gang targets the exclusive south coast island of Terror's Reach, home to rival business tycoons Robert Felton and Valentin Nasenko. The residents are facing annihilation, and only one man stands a chance of saving them. Four years ago, after an undercover police operation went disastrously wrong, CID officer Joe Clayton lost his career and his family. Forced to adopt a new identity, he drifted from place to place and ended up on the Reach, working as a bodyguard to Nasenko's wife, Cassie, and her children. Now he must draw upon all his experience and reserves of strength to keep them alive. But nothing is as it seems on Terror's Reach, and a long night of betrayal and murder leaves Joe fighting for his own survival...

Praise for SKIN AND BONES: "This is a mystery and a thriller that is satisfying on every level. This book gave me chills." -- JON JORDAN, CRIMESPREE

"What truly sells SKIN AND BONES is Bale's almost cinematic storytelling style, along the lines of what Lee Child does with his Jack Reacher series." -- JIM WINTER, JANUARY MAGAZINE

Tom Bale is the author of SKIN AND BONES. He lives with his family in Brighton, England.











Find out more about great authors at ThrillerFest 2010!

Friday, March 26, 2010

Sample the Thrill - A Touch of Evil



One of many great articles that you can find each month in The Big Thrill!


Colleen Thompson and I sat down at a virtual coffee shop to chat about her upcoming book, Touch of Evil. With readers clamoring for her latest, I wanted to find out a little more about Colleen and what drives her. Twice nominated for the Rita for Best Romantic Suspense, Colleen has also been honored with the Texas Gold award, multiple Romantic Times Top Picks and KISS awards, and nominations for RT Reviewers Choice, Daphne du Maurier, and Dorothy Parker Awards of Excellence, along with a starred review from Publisher's Weekly. A former teacher married to a Houston firefighter, Colleen brings emergency responders and her Texas home to life.

So of course, we want to know about the new book, Touch of Evil. What's the book about?

Recently elected to complete her late husband's term of office, Sheriff Justine Wofford is boxed in on all sides, investigating a series of gruesome hangings everyone else considers suicide. Hospitalized by a severe blow to the head, unable to remember the details of the attack, under fire from her own department, she reaches out to the man she's sworn to avoid at any cost.

Is there a theme in your books, a thread that you see coming up in your stories often?

I would say that most of my books feature "regular people" forced by horrendous, unexpected circumstance to find a hidden reservoir of strength that changes them forever.

I'm always interested in what draws a writer to the dark side? Ever since I was a kid, my stories leaned to the dark side of human nature. Do you know why you were drawn to suspense?

I've always been attuned to real-life stories with powerful emotional resonance, particularly tales of survival in the face of seemingly-insurmountable odds. There's something deeply cathartic about watching someone who seems quite ordinary find the courage and resilience to fight her way from hell to heaven. This type of story gives us faith that we, too, can overcome the tough stretches that are a part of every person's journey, and suspense may be its most powerful form.

You wrote seven historical novels under Gwyneth Atlee and Colleen Easton. What made you change direction and focus on romantic suspense?

As a reader, I started devouring suspense, mystery, and romantic suspense novels. I was soon drawn to the challenge of weaving a mystery plot into my stories, along with the driving action and heightened romance that can occur in these kinds of books. The balancing act was the hardest thing I've every attempted, but it was so satisfying, I quickly became hooked. And I was happy to find that the same research skills/enthusiasm that made writing Civil War-set romances such a pleasure came in really handy when it came time to learn the ins and outs of modern emergency services, law enforcement, and judicial matters.

I know writers aren't supposed to love any of their "children" more than the others, but some of our characters just reach out and grab us by the heart. Is there one character who did this to you?

I have to admit, I absolutely adore Sheriff Justine Wofford, the heroine of Touch of Evil. One of the things I love about this character is that she's a single mom - a recent widow -- struggling to raise her autistic son alone while dealing with the challenges of stepping into her late husband's role. Her "everywoman" worries about balancing financial, emotional, and family needs, along with the possibility of new love, collide head-on with a situation that could easily cost her life.

Is there a book you're longing to write that you haven't had the opportunity or time to yet? Something completely different from what you're writing now?

I was so drawn into Justine Wofford's life in Touch of Evil (and in my previous book, Beneath Bone Lake, where she was introduced as a secondary character) that I could easily imagine making her a mainstay in a mystery/suspense series with a long term romantic arc. Which got me to thinking it would be really intriguing to stay with one couple and watch their relationship slowly unfold throughout a longer span of time. It would be the same sort of book, but would allow to layer in more complexities with both the main and secondary characters.

But I have to say, I'm thoroughly hooked on contemporary mystery/suspense with a relationship angle. I love exploring the world in which we live through the lens of my characters.

Do you have any writing rituals before you begin a book or begin working every day?

I often begin by reading research books and materials surrounding the premise I have in mind. Much of my fiction is informed/inspired by real-life events, which I start playing with as I wonder how a person might react and learn to overcome such harrowing circumstances.

What does your writing space look like?

My writing space is most often a very cozy chair in my family room, off of the kitchen. It's usually a bit messy, with assorted books and notes stacked on the lamp table, but it's very comfortable.

What's the best way for reader's to get in touch with you? Do you Tweet/blog/etc.?

I'm always happy for readers to contact me via my website. In addition, I blog about the writing life at www.boxingoctopus.blogspot.com or you can find me on Twitter at http://twitter.com/AuthorColleen.

Thank you, Colleen, for filling me in on your latest book and your life. Can't wait to read it!

Thanks you, Jaime, for taking the time to chat with me!

For more on Colleen and her books, visit her website at: http://www.colleen-thompson.com



Missing the romance, relationship drama, and action of her favorite television shows, X-Files, Roswell, and Highlander, Jaime Rush created her own mix in the Offspring series, from Avon Books. Jaime Rush is a pseudonym for bestselling Tina Wainscott, author of eighteen novels for St. Martin's Press and Harlequin. Contests, sneak peeks and more at www.jaimerush.com.




Find out more about great authors at ThrillerFest 2010!

Friday, March 19, 2010

Sample the Thrill - Frame Up by John F. Dobbyn


One of many great articles that you can find each month in The Big Thrill!


Frame Up by John Dobbyn is being framed! Robin Hathaway, author of Sleight of Hand, calls it, "A poignant tale of brotherhood, torn and mended, and a thrilling mix of foreign intrigue and Mafia mayhem," while Alafair Burke, author of 212: A Novel, claims, "Frame Up is the best kind of legal crime fiction."

It was enough to make me want to do some investigating of my own. What I discovered was that Frame Up is a twisted tale of mafia gangsters and international intrigue providing an in-depth view of the criminal justice system.

In Frame Up, Michael Knight's best friend at Harvard Law, John McKedrick, takes the low road--he becomes the sole associate of a notorious mob lawyer. Meanwhile, Michael has teamed up with legendary trial attorney Lex Devlin to form their own firm. When John is murdered in a car bombing bearing the signature of his questionable clientele, Lex Devlin urges Michael to represent the alleged bomber, son of Lex's childhood friend (now the head of the Boston Mafia). In building the defense, Michael is drawn into a high-stakes art fraud that leads him into the world's most dangerous and deadly places.

I then did some digging on the author and learned a few interesting facts:

Dobbyn was born and raised in Boston--a distinct advantage in getting to know all of the streets, restaurants and hangouts frequented by his main character, Michael Knight. Later, Dobbyn attended Harvard Law School, the same place Knight earned his degree and met his best friend (who ends up dead in Frame Up).

An education at Boston Latin School gave Dobbyn the tools for writing and storytelling that he later honed during military service and the years of "central casting" experience gleaned in courtrooms following his graduation with a Masters of Laws degree from Harvard. According to Dobbyn, that's where he "gained a catalogue of characters for future stories by way of both the lawyers and their clients who appeared in the judges' courtrooms.

After several years of practicing law, came the creative writing course and the published short story that set Dobbyn on a new career path. He had taken the bait, and publishing had set the hook. According to Dobbyn, "Once set, the hook holds - even through enough rejection slips for future stories to paper a small ballroom." Eventually he went on to learn the "hidden parts of the trade of storytelling well enough to sell a story to Ellery Queen's Mystery Magazine, and followed by about twenty-five short stories in both Ellery Queen and Alfred Hitchcock's Mystery Magazine."

Then, in March of 2007, Dobbyn burst onto the mystery/legal thriller scene with his first novel, Neon Dragon. In that book, he partnered his two favorite characters, Michael Knight and Lex Devlin, weaving an adventure through the streets of Boston's Chinatown. That partnership continues in Frame Up. About which, Jeremiah Healy, author of The Only Good Lawyer, says "If you enjoy gritty legal thrillers, you will love Frame Up. From the chilling first chapter to 'negotiations' with the Mob over the death penalty without benefit of the formal criminal justice system, the characters are drawn with depth and empathy, the action with crisp claps of interpersonal thunder. Settle back in your favorite chair for a polished book that will be compared to Dennis Lehane's Mystic River."

Dobbyn currently teaches at Villanova Law School. He and his wife Lois live in Valley Forge, Pennsylvania. For more information, please visit his website at: http://www.johndobbyn.com.


Christine Goff is the award-winning author of the bestselling "Birdwatcher's Mystery" series. She began her career writing non-fiction for local, regional and national publication. Chosen Rocky Mountain Fiction Writers' 2002 Writer of the Year, two of her novels were named finalists for the prestigious Willa Literary Award for Best Original Paperback Fiction; and her latest novel, DEATH SHOOTS A BIRDIE, was a named finalist for the Colorado Authors League 2008 Best Genre Fiction Award. Her novels focus on environmental concerns through bird-related issues. Currently, she is working on a new book; a thriller set in Israel.


Find out more about great authors at ThrillerFest 2010!

Friday, March 12, 2010

Sample the Thrill - Hell Gate by Linda Fairstein

Celebrate the Craft! - From the blog of the The Big Thrill

Linda Fairstein is a prolific and bestselling author of legal thrillers starring Alexandra Cooper, a New York City sex crimes prosecutor. For more than a decade, readers have turned to her books for ripped-from-the-headline crimes, cutting-edge investigations, and vindication for victims. In her twelfth novel, Hell Gate, Alex Cooper finds her attention torn between investigating a shipwreck with contraband cargo - human cargo - and the political sex scandal of a promising New York congressman. The bridge between these cases leads our heroine down a darker and deadlier road than she ever imagined. Hell Gate is landing rave reviews, including this dandy from Kirkus: "Thrills, gossip, sex, history, self-righteous indignation and hints of parallels to the contemporary rich and famous, all whipped to a fine frenzy."

You write about a political sex scandal in Hell Gate. Were you inspired by any real life ones?

I like to think I've got a good imagination, but all of the political sex scandals I dreamed up were nothing compared to the real life antics that kept grabbing the headline space - in New York and all over the country. Just when I thought the last one couldn't be topped....along came the next guy. Yes, I was certainly inspired by some of the real-life sexcapades (including a certain governor who was my colleague in the Manhattan DA's Office), and it was kind of hilarious that I had to tone most things down a bit so they'd be more believable.

One of your trademarks is to incorporate New York landmarks and their history in your work. Tell us about Hell Gate and why you decided to make it the crime scene of your latest thriller.

Once I focused on political scandals, I was drawn to some New York landmark locations, which always have such fascinating historical background. I've been a guest at many receptions at Gracie Mansion - the Mayor's home since the 1940's - but my research took me into some very dark aspects of its past. It's quite a glorious spot - set against the treacherous currents of Hell Gate (an actual place in the New York waterways, which has been the scene of hundreds of deaths over the years) - and its history includes the involvement of its owner, Archibald Gracie, in a really interesting homicide two centuries ago. I just find if you dig beneath the surface of some of these fantastic settings, you discover all kinds of mysterious goings-on. And here's this stunning mansion that our mayor has abandoned in favor of his own, so imagine the nefarious things that can happen there at night.

With thirty years experience running Manhattan's Sex Crimes Unit, you're considered one smart author. In fact, Lee Child calls you "the queen of intelligent suspense." Any pressure to stay smart book after book?

As all of us who write know, there is enormous pressure to stay smart, whether you're writing a series or stand-alones. I think we've got terrifically smart fans, who expect solid, nuanced plotting and characters who evolve over time, based on the experiences they encounter. I back off it and relax a bit when I think about how 'smart' I had to stay as a prosecutor for thirty years, when peoples' lives really hung in the balance every day. So this is intelligent (which I love), but it's fiction, and that's a much more comfortable thought for me than dealing with justice every single day. (And how generous of Lee Child to say that, don't you think?)

In your novels, the crimes end up being solved. In real life, I'm sure there were cases you couldn't solve. Can you talk a little about how you balance those two outcomes - resolution being necessary in fiction but not always possible in real life?

One of the great pleasures for me in writing crime fiction is being able to control the outcome of the case - something that was rarely available to me in real life criminal justice! I'm one of the people who actually doesn't mind it when all the threads aren't tied together at the end of a story. As hard as I tried to do that in case after case, it didn't always happen. And sometimes the bad guys beat us. But most of my editors haven't seen it that way. It's great fun when Alex gets to stand up to a mean judge or get a perp who got away from me, and I love having that fictional power.

Neither Alex Cooper or her detective pal Mike Chapman are married. So why haven't they slept together? We know you can write sex scenes because you're always throwing Alex in the arms of other men.

This question really made me smile. I get more mail about Alex and Mike than about anything else in my books. As Alex has revealed to her closest friends, she's sort of tormented about what to do in her relationship with Mike. She loves him, he covers her back better than any guy she has ever known, and she is terrifically attracted to him. But she knows that the minute she gets into bed with him, the professional relationship changes forever. (Now really, readers, do you want that to happen?). So most of my devout followers suspend disbelief and understand that the sexual tension between Alex and Mike is a plot device that keeps the dialogue lively and the action moving. Where it will lead, I'm not quite sure. I'm often reminded of the TV show Moonlighting (Bruce Willis and Cybil Shepherd). It was a huge hit because of the sexual tension throughout several seasons, and the minute they climbed into bed together, over and out. So bear with me, please, and remember that Alex only ages about three months between capers, so it's not that much time that has evolved.

Can you tell us a little about your writing process?

You just can't imagine how much I love to write. For me, a really good day is when I can get up in the morning, have coffee with my husband, then hole up in my writing room - my bat cave - and just get into the words and the story and the rhythm. The first one hundred pages of a novel are like having root canal - sounding out a strong opening, laying in characters and clues, plotting a careful story that will make sense at the end. It's harder for me to isolate myself in the city, because of so many of the things I stay involved in (I'm still a lawyer and do lots of non-profit work for victims of violence). We spend four months on Martha's Vineyard, where I actually have the luxury of a separate cottage, and I leave 'home' to walk down the hill for a day's work. It's tranquil and magnificent and isolated, and I take lots of breaks to swim and clear my head. Best for me is the last quarter of the story, when I know exactly where I'm headed, and it's like skiing downhill to the finish line. My prosecutorial job was so collegial and reliant on partnerships with detectives and DA's (like Alex) that the isolation of writing was the hardest adjustment for me to make. But at the end of the writing day, there's a glass of Dewar's waiting for me in front of the fireplace.

Hell Gate is book twelve for you and your protagonist. JK Rowling knew how she was going to end Harry Potter. Charlaine Harris claims to know how she is going to end her Sookie tales. And Sue Grafton is shooting for the letter Z. Do you know how your series will end?

So far, no end in sight for Alex Cooper. Hey, I had her job for thirty years, so I expect she is in it for the long haul. I remember exactly where I was when my literary agent (and dear friend) Esther Newberg called to tell me there was a 'bidding war' for my first novel in the series - Final Jeopardy. Of the three houses, it was Scribner (Alex's first great home) which asked - "Does Linda think she can do two books?" My answer to Esther was without hesitation - "I know I can do ten." So here we are at number twelve, and I've got lots of stories to tell. I think that Hell Gate has 'thriller' pacing, and I'm so delighted to be part of this terrific community.

For more information about Linda Fairstein, check http://www.lindafairstein.com/

Contributing editor Julie Kramer's MISSING MARK, landed a rave review from People Magazine. "Smart dialogue and a fleet pace make this second outing in Kramer's fledgling series a crowd-pleaser." Her debut, STALKING SUSAN, was a nominee for the Mary Higgins Clark, Anthony, Barry, and Shamus awards. Her third, SILENCING SAM, is coming this summer.



Find out more about great authors at ThrillerFest 2010!

Friday, March 5, 2010

The Cold Room - Sampling the Thrill


One of many great interviews with authors that you can find each month in The Big Thrill!

It's not easy to get into the heads of killers, to relay their thoughts and feelings and deep, dark secrets in a way that makes them seems so real and so frightening. But J.T. Ellison does it, and she does it well.


Ellison is the best-selling author of the Taylor Jackson series of thrillers (All the Pretty Girls, 14, Judas Kiss, and The Cold Room). She has published numerous short stories in a variety of publications, including the anthologies Killer Year: Stories to Die For, First Thrills, and Surreal South 09.


Recently, I chatted with J.T. Ellison about her latest book, The Cold Room, and her upcoming thrillers"


In your latest thriller The Cold Room, you introduce the reader to the Conductor, a serial killer who keeps his victims in glass coffins until they starve to death. Draw us into the world of the Conductor and your protagonist, homicide detective Taylor Jackson.


The Conductor loves classical music, opera, and art. How much more normal could you get, right? There's just one catch. He's also a burgeoning necrosadist, with online friends he shares his fantasies with. Taylor Jackson, recently busted back to Detective by the Office of Professional Accountability, is trying to save face and solve one of the strangest murders she's seen in years. And to top it all off, her fiancée, FBI profiler Dr. John Baldwin, believes he has seen this scenario before, on an international scale.


What makes Detective Taylor Jackson such a strong woman, and how does this help her catch the Conductor?


Taylor is a woman of convictions, of morality, of a code. She's a hero, flawed but with incalculable focus. She enjoys a challenge, isn't afraid of much, and has a badge and gun to back her up when times get tough. She's also very stubborn and enjoys intrigue, and the Conductor presents a puzzle she's not seen before. The fact that Baldwin has a foot in the Conductor's world already is a help too--she has an excuse to work with him again, something she always enjoys. 


Why is the Conductor such a fascinating serial killer?


His MO is relatively rare. He's not interested in hurting women, which is a bit of a departure from what we normally see--usually fictional serial killers are psychopaths who are brilliant dynamos, always a step ahead of the cops. Gavin Adler is a regular Joe, making mistakes, testing the waters. I almost felt sorry for him--he's driven by this compulsion to have sex with dead women, and he's not sure how to satisfy that urge. He's obviously a sociopath, unable to feel emotions properly, but he's got human edges, like the adoration he feels toward his cat, Art, and his love for music and art. A well-rounded killer, our Gavin.


You stated The Cold Room was the "by far the most difficult book [you've] ever written"--both structurally and emotionally? Why?


For starters, the research on this book was both fascinating and repulsive. I started having rather horrible nightmares soon after I started the book. The story is huge in scope--spread among four law enforcement agencies and two continents, with new characters in Taylor's life, and many, many plot shifts. I was trying to avoid falling into the trap where people would read it and say, "Oh, come on. No way." So it was a challenge to write, and then at the eleventh hour, the book was pulled. We changed the release date, title, art, all the outside components, and I went back into the manuscript to flesh out some of Taylor's story. I'm so glad we did, because the book ended up being so much stronger than it would have been. Lesson learned: always listen to your editor.



A professor in college told you you'd "never get published." It was years before you started writing again and proved her wrong. What did you learn from this experience, besides the obvious response--that she was wrong?

Never, ever, let someone outside of your world derail your dreams. I respected that particular professor, and though she crushed me, looking back I see she was right. My voice was there, but I lacked that special something that makes writers into authors. But if she'd encouraged me just a little, I might have found that spark sooner. It's the nature of the artist to need some bits of affirmation, but sometimes we can overemphasize that part of our lives. I advise all new authors to listen to their gut, and focus on their dreams.

You stated, "it takes a very specific personality type to make it as a cop, especially a homicide detective. The horror and depravity that they see every day . . . anything I write pales against the realities they live with day to day. There is endless capacity for evil in people. It's such an honor to write their stories, and I strive to make the non-law enforcement world understand the people who keep them safe." Why is this so important to you, and how do you think this comes across in your work?

After you do a few ride-alongs with law enforcement, you will be hard pressed to see them as anything less than heroes. I wanted to tell their stories, as accurately as I could, so the general public would have some idea of just how intense their jobs are. Cops get a bad rap in the press, with accusations of brutality and other illegalities, but 99% of cops are decent, honest, hardworking, long-suffering men and women who are just trying to keep the rest of us safe.

What advice can you give aspiring thriller writers?

Read everything you can get your hands on, and work hard to develop your writing habit.

What's next for J.T. Ellison?

The Immortals, book five in the series, will be out in October 2010. And I'm frantically running into my deadline for book six, The Pretender, which is a sequel to 14. There are a few shorts stories debuting this year as well. All that's on my website,  JTEllison.com.


Janice Gable Bashman is co-author (with Jonathan Maberry) of WANTED UNDEAD OR ALIVE: Vampire Hunters and Other Kick-Ass Enemies of Evil (Citadel Press 2010). She wrote sidebars for THEY BITE:  Endless Cravings of Supernatural Predators (Citadel Press 2009) by Jonathan Maberry and David F. Kramer. She also writes for leading publications, including the NOVEL & SHORT STORY WRITER'S MARKET, THE WRITER, WILD RIVER REVIEW, INDUSTRY TODAY, and FOOD & DRINK QUARTERLY. And, her writing won multiple awards at the 2007 Philadelphia Writer's Conference.


Find out more about great authors at ThrillerFest 2010!

Monday, February 22, 2010

Celebrate Craft! - Weep No More, My Hero

Celebrate the Craft! - From the blog of the Thriller Guy




Please, Thriller writers, no more heroes who shed tears. No more manly weeping.


Thrillers are about tough guys. Often, far too often, I'll be reading along and suddenly I can almost hear the writers' mind-gears begin to grind:

OK, I've had a bunch of action scenes, I've had my guy kill when he has to, he's shown he has the skills and the guts to get the job done. Hmm, what I need now is to prove that he's also got a soft side, that he cares, especially about the love interest, that he has depth. I've got to hook some women readers, everyone says they're the only ones buying books these days. I know! I'll have him cry! Women love it when a man cries!

Sorry. Actually, women hate it when a man cries. In real life and in books.


Men hate it as well.


In a thriller, it's just sooo obvious, such a cheap ploy to try and snag reader sympathy. Instead of figuring out an interesting, novel way for the hero to show emotion, the author takes the low road and sure enough, the hero's eyes begin to “well with tears.”


“He turned his head so she couldn't see the tear that trailed down his cheek.”


“He felt hot tears spring to his eyes.”


Gag.


And I'm not talking about first novels or wannabes, Big Guys (you know who you are) do this over and over. I think it's always a mistake. Even though I may love the rest of the book, it's always tainted for me if the hero cries.


It makes the author look exploitive. It makes the character look foolish, and what is worse, weak.

Which is the kiss of death for a thriller character.


I think Lee Child's series character Reacher is pretty much the epitome of a thriller hero. He's beyond tough, but at the same time readers know he can be emotional, that he has feelings. I haven't read all the books in the series, but has Reacher ever wept? I'm asking the question of those of you who are aficionados of this series. Has he ever shed a tear? I'll bet not. Or let's just ask Lee Child. Are you out there? Has Reacher ever wept?


OK, here's a challenge to writers and to readers. Writers, if you've ever had your hero weep, tell us where and why you think it worked. Readers, if you disagree with me, send me an example of a thriller hero who weeps, cries, sheds a tear or two and who comes off looking the better for it.


I'm the most unreligious of men, but the only one that I can come up with that does work is in The King James Bible, the Gospel of John, Chapter 11, verse 35. In its entirety.


“Jesus wept.”


You can celebrate craft with us at CraftFest in New York in July!

Friday, February 12, 2010

Burn by Ted Dekker and Erin Healy - Sample the Thrill

One of many great interviews with authors that you can find each month in The Big Thrill!

Ted Dekker has haunted the bestseller lists for some time. An editor of some of his novels, Erin Healy, collaborated with him on Kiss, a story that was published in January 2009. Their new joint thriller, Burn, threatens to heat up the shelves. Erin discussed working on Burn and her life.

How did you both get together?


Ted was referred to me about eight years ago by Traci DePree, who edited Ted's earliest novels, then returned to work with us on Kiss and Burn. Ted and I clicked and have been working together as an author-editor pair ever since the first edition of his novel Blink. When he asked me to consider writing with him, it was a can't-say-no opportunity. New authors have a treacherous uphill battle when entering the marketplace. To be able to partner with someone of his calibre was a gift to me.

What is the writing process like with Ted?

Ted and I spend a lot of time on the phone hashing out ideas. We talk and talk and talk. I've lost at least three phone batteries to Ted alone. Then I write and he reads and we talk some more.
Then I write and rewrite, and he writes and rewrites, and we go back and forth like this until the story is born. It's a real synergistic endeavor.

What sparked the idea for Burn?

Ted and I were working independently on our own ideas for stories about regrets, second chances, and the concept of dying to self. When we realized this had happened, we thought, why not throw both of these into one cooking pot and see what we come up with? It worked great, and it's one of the reasons I think Burn is a stronger story than Kiss. As far as the content goes, we were both equally invested in our passion for it.

What can a reader expect when they pick up Burn?

Burn is very exciting! It's a story about a young gypsy woman who has to make a terrible choice on a night when life as she knows it goes up in flames. Her home is being burned to the ground and her friends' lives are at stake. It's a mind-bending story about the course her life might have taken if she'd made a different choice. The novel asks important questions about the nature of regret. Is there any way to redeem the choices we've made?
What kind of self-sacrifice is required to do what is right?

How do you write an action scene? Is it different or more difficult to do while maintaining a Christian audience?

Speaking with film in mind, you write an action scene one frame at a time. It's tempting to be chaotic in a written action scene, because true visual action is chaotic, and also because the point-of-view character doesn't always understand right away what is happening. But action
scenes more than any other need to be linear and clear, or readers--Christian or not--will get lost and gloss over it. No, I don't think there's any more or less difficulty in writing a good action scene for any audience. The writer makes choices in how to frame the shot, in what to leave on and off stage. But that's a different question.

What's next for you both with Ted and solo?

For now, Burn will be the last novel Ted and I write together. We'll be focusing on exciting developments in our solo careers. Never Let You Go, my first solo, releases in May 2010 (Thomas Nelson, hardcover, $21.99). It's a supernatural thriller about a young single mother, Lexi, who is paid an unwelcome visit by an old friend. He demands she testify on behalf of the killer who murdered Lexi's sister. If she refuses, he'll harm Lexi's daughter.
Within hours, she also learns that her estranged husband, gone seven years, is attempting to reconnect with their little girl. The strangely timed reappearance of the friend, the killer, and the husband terrifies Lexi, but the significance of this event is greater than she can predict. Never Let You Go is a novel about the high price of bitterness and forgiveness, neither of which it seems Lexi can afford to pay.

How do you find time to write?

I'm a full-time freelance editor and a full-time mom, so the hours of my day are pretty fixed. The trickest aspect of finding "time" to write is really about money. I can edit or I can write, but it's too difficult a mental task for me to write while I have editorial projects on the desk. Knowing which editorial jobs to take or turn down, and learning how to balance the financial aspect of that shift to writing more, is a day-by-day evaluation.

"Keep your day job" is the advice given to budding novelists, and it applies to me.



Jeff Ayers is the author of VOYAGES OF IMAGINATION: THE STAR TREK FICTION COMPANION Pocket Books-November 2006. He frequently reviews thrillers for Library Journal and regularly interviews authors for LJ, the Seattle Post-Intellgencer, and Writer Magazine.


Find out more about great authors at ThrillerFest 2010!

Friday, January 29, 2010

Sleep No more by Susan Crandall - Sampling the Thrill

One of many great interviews with authors that you can find each month in The Big Thrill!


In Sleep No More, Susan Crandall has crafted another suspenseful, intriguing romantic suspense epic. Imagine that you are a psychiatrist in a small South Carolina town, just escaped from a marriage to an alcoholic wife with a range of problems beyond your ability to control or cope with. Into your life comes an alluring woman who has innocently stepped into a nest of figurative vipers.

The night was always Abby Whitman's enemy. As a young girl she walked in her sleep, and one night, started a fire that scarred her sister for life and left Abby with unbearable guilt, and a loneliness that echoes within her.

Now Abby has begun blacking out again--with apparently fatal results. A car accident has killed the son of a prominent family. Even though the evidence seems to exonerate her, Abby is plagued by doubts--and soon by mysterious threats. A young psychiatrist, Dr. Jason Coble, is intrigued by Abby and offers to help her explore the dark recesses in her mind. Through this terrifying journey, Jason's interest turns to passion, and he yearns to give her the love she craves. But first, Abby must trust him--and shed light on secrets that will rock this Southern town and reveal a danger that threatens them both.

Sleep No More flows with rhythmic cadence, as the reader becomes immersed in the emotions of the Abby and Jason and the suspense of the fraud threatening to dispose of them before their love can ripen. This is a page-turner that demands your attention. Each of the twists and turns in the story, and the interconnections of the characters, draws you deeper into the story as it plays out on the original manor grounds, including family cemetery and lifeline of the river.

Congratulations Susan on another masterpiece!

I enjoyed reading Sleep No More, and asked Susan a few questions:

What do your find exciting?

I am a pretty calm person. I like excitement to come from vicarious experiences. I like suspense and mystery, which is why I write. In my writing, the suspense is personal to the characters, not police procedure. I am fascinated by what can happen to normal people. As writers, we can find the source materials for stories in the morning paper.

If you were stranded on a deserted island, what one book would you like to have with you and why?

Diane Gabaldon's Outlander. I love her characters.

Romantic Times Book Review says Sleep No More is "A good cozy mystery wrapped in a solid romance... both an easy and riveting read."

You can read more about Susan and her books on her website.


Cym Lowell is an aspiring thriller writer. His next novel is in the hands of his agent (Brenden Daneen of Fineprint Literary in New York) and on its way to publishers. Cym is also an international tax lawyer with expertise in cross-border money movement, and a shelf full of professional treatises on these scintillating subjects.


Find out more about great authors at ThrillerFest 2010!

Friday, January 22, 2010

Shattered by Joan Johnston - Sampling the Thrill


One of many great interviews with authors that you can find each month in The Big Thrill!

Four Lives--Two Great Loves--Every Expectation Shattered. In Joan Johnston's new novel,
nine years ago Kate Grayhawk Pendleton walked into alleged killer Wyatt Shaw's life-and out of it again the next morning. Now Wyatt's back--and
has the power to shatter Kate's future with the man she loves.

"Johnston's characters struggle against seriously deranged foes and fac seeming
insourmountable obstacles to true love." BOOKLIST

"Johnston rivets the reader." Bookreporter.com

Joan Johnston is the New York Times and USA Today bestselling author of forty-nine novels and novellas with more than ten million copies of her books in print. Joan has been a director of theatre, drama critic, newspaper editor, college professor and attorney on her way to becoming a full-time writer. She has also raised two fairly normal children. Joan lives in Florida and Colorado



Find out more about great authors at ThrillerFest 2010!

Friday, January 15, 2010

Watchlist: A Serial Thriller by Jeffery Deaver - Sample the Thrill


One of many great interviews with authors that you can find each month in The Big Thrill!

Imagine a literary jam session with 22 of your favorite masters of pulse-pounding fiction and you have WATCHLIST: Two Serial Thrillers in One Killer Book. Jeffrey Deaver conceived of the characters and put the plot into motion and Jim Fusilli leant a sharp editorial eye, finely orchestrating this chorus of suspense that includes such top writers as Lee Child, Joseph Finder, Lisa Scottoline, Gayle Lynds, P.J. Parrish and many others. Dramatic tension ties the novellas together as each thriller titan leads the reader down dark alleys and around blind corners, saving the fireworks for the climactic endings, also crafted by Jeffrey Deaver.

The Chopin Manuscript, the original unique collaboration by 15 of the world's greatest thriller writers launched the project. It introduces former war crimes investigator Harold Middleton, who is unaware that a forgotten work by Chopin in his possession contains a dark secret within its handwritten notes. His race to uncover the secret is obstructed by federal agents, assassins and a mysterious figure from the past known only as Faust.

Following closely on the gumshoe heals of The Chopin Manuscript, Harold Middleton returns in the explosive sequel, The Copper Bracelet. Suspense builds layer by layer as each deft teller of tales shifts the action by adding unexpected twists. Beginning with a day at the beach where all is not what it seems, an international terror plot sends Middleton careening from Nice to Moscow to Kashmir as he seeks to prevent nuclear war between India and Pakistan and the start of World War III.

This two-fisted tome has the chills, breakneck pacing, and diabolical switchbacks that thriller lovers have come to expect. Reading into the wee, small hours is practically guaranteed.

Find out more about great authors at ThrillerFest 2010!

Friday, January 8, 2010

Impact, by Douglas Preston - Sampling the Thrill



One of many great interviews with authors that you can find each month in The Big Thrill!


Perhaps best known for his collaborations with Lincoln Child, Douglas Preston is also the author of a series of bestselling thrillers that he writes by himself. His latest one, Impact, begins with an amateur astronomer watching a meteorite fall off the coast of Maine and deciding to try and find it on one of the barrier islands. Throw in Preston's recurring character, Wyman Ford, hired by the government to travel to Cambodia in search of some apparently not-from-earth gemstones, and you have all the makings of another fascinating thriller.

Preston pulls his ideas from disparate sources. "I got the idea many years ago when I was listening to an NPR report about the U.S.'s worldwide network of seismic sensors." They were mostly used to test for clandestine nuclear bomb tests; about twenty years ago they picked up the seismic signature of what looked like a nuclear test in the Australian Outback. "The interesting thing about the seismic signature of a nuclear test is it looks a lot like a meteorite impact." They didn't find anything, but what made everyone nervous at the time was that the site of the seismic event took place on an enormous ranch owned by the Aum Shinrikyo cult best known for releasing sarin gas on the Tokyo subway.Preston took that idea and combined it with a story he'd read in Scientific Americanabout "two unusual seismic events in late 2001 or early 2002. It appeared to scientists that it might have been caused by a particle striking the earth, passing through it, and coming out the other side. They thought this particle might be what is called a 'strangelet' or strange matter, or quark matter--a very strange kind of matter."

In addition, Preston had traveled to Cambodia in the 1990s for a story for National Geographic in search of undiscovered temples that had been uncovered by foliage-penetrating radar on the space shuttle. "I went along, but the problem was, the temple was in Khmer Rouge-held territory. Not only was it very difficult to get to--there were no roads or anything like that--but we had to bring an army with us. It was very exciting."

When asked how his writing process is different when writing novels by himself versus his collaborations with Lincoln Child, Preston says, "It's very different. It's a much lonelier process. As a writer you feel kind of isolated, you have no one to bounce ideas off, really; you are unsure whether you're going in the right direction or not. I would say it's stressful and lonely, but at the same time it's rewarding because it's your own work, for better or worse."

But fear not, Preston/Child fans, the next collaboration featuring Special Agent Pendergast, Fever Dream, is scheduled for May 11, 2010. Of their partnership, Preston says, "Of course, Linc and I complain together. We complain about everything and we congratulate ourselves on what fine fellows we are. It's nice to have a partnership like that."

He described their mutual process as basically one person writing something, then the other person saying how bad it is, then the two of them getting into fights until the publisher demands the manuscript. "When he calls me up and says this chapter really sucks, after I cool off and stop telling him what an idiot he is, I think, this is why we have a writing partnership, to speak the truth to each other. He rewrites and makes me furious, and I rewrite him, and that makes him furious. So he rewrites me and we go back and forth like that getting madder and madder at each other until the publisher starts demanding the manuscript. But for some reason that process works. We end up with something that's better than each of us could have written solo."
To which this writer says, "Mmmmm, maybe." Because both writers' solo novels are awfully damned good. And Impact will demonstrate that, no doubt.


Mark Terry is the author of the Derek Stillwater thriller series. His newest thriller, THE SERPENT'S KISS, is available in stores and online.



Find out more about great authors at ThrillerFest 2010!

Saturday, September 26, 2009

Dream Killers

Dream Killers

I’m a bit tired of people stepping on dreams. I have a lot of dreams. Some are pretty attainable, and others are off the charts so rare that even I have to admit the odds are long.

But I still don’t want you to step on them.

My view on dreams is that if I’m not bothering anyone, haven’t compromised my real life existence to attain them, and in other ways am a responsible person, then the best thing to do is leave me go on my merry way.

Which brings me to the moral dilemma I face when giving panels on writing. People ask me, will this be published? What are the odds? What do you thnk?

Here’s what I think: the odds are long, we know that. The time spent on writing may never pay off, either financially or in published format, we know this also. So what? Should you give up? Stop writing? Choose not to start? Only you know if that’s right for you.

Of course, this answer never satisfies. When I say, “if you continue, diligently, for many years, taking courses, staying in the writing world, going to conferences and panels to pick up tips, you will be published.”

The next question I get is: “How many years?”

Answer: Depends.

This answer is not acceptable to many, either, but it’s true. Last week I watched “Biography” present George Clooney. By most standards, he’s a success in his field. The backstory was interesting. He landed in Hollywood in his early twenties. Did bit parts and recurring roles until he hit with “ER.” Time from landing in LA to ER: ten years give or take. Ten years to get a role that really pushed his career to the next level. That’s a long time. If I said ten years to a new writer, they’d likely get angry. “Ten years! But I want this manuscript to sell now, not ten years down the road.”

I imagine Clooney wanted to hit ten years earlier, too, but that wasn’t in the cards for him. From ER he took roles in movies that generated roller coaster reviews and average box office. Then came “The Perfect Storm.” Big hit, great reviews. Time from landing in LA to big hit—eighteen years, give or take.

So should the unpublished writer give it ten years to get published, another eight to hit huge, and be prepared to wait eighteen altogether? I’m not a fan of delusion, but in this case absolute truth is harsh. Even I, the tortoise of the hare and tortoise race, wince at eighteen years.

But I write because I have to. I love it. A few days without writing and I’m definitely headed into a downer mode. Best I just hit the computer for a couple of hours. I always feel better after. The only other option is to quit. Now, that’s a great option if it doesn’t really matter to you, but if you like writing, like creating characters, and like the creativity that goes along with it, then don’t quit.

Just trudge onward. Your turn will come.

Jamie Freveletti
Author
Running from the Devil
www.Jamiefreveletti.com

Wednesday, July 22, 2009

Advice I received and some I ignored—Unpublished era.

My manuscript has been sold, the book published and I’m gearing up for round two on a debut book launch and events. Over the past year and a half I’ve been given boatloads of advice. Here’s what ended up working, and not working, for me:

Write every day—Not for me.

This advice comes from those who write like crazy. Many who say this are well published. I write a lot, but not every day. Frankly, there are not many things I do every day except raise children. When I worked as a lawyer and the kids were smaller I wrote every other day on average. Vacations- and beach vacations in particular- ramp up my word count and as a result my children have seen a lot of sand.

Outline—Not for me.

I get an idea for a premise and begin writing. I research along the way, but while I’m still writing. I remember what James Rollins once said at a conference I attended: “when you’re researching you’re working but not writing.” In other words, doing prep work accomplishes something but you are still no closer to finishing the novel.

Take a creative writing class-50/50 on this one.

I began with an evening course at the University of Chicago Gleacher center. I got into the groove of writing there, but by no means do I think it is a necessary step to becoming a writer.

Get a Masters in Fine Arts-Not for me.

I have some degrees and diplomas. Enjoyed them all, but just don’t have it in me to get one more. Thankfully, this bit of advice is only necessary if you want to obtain a position as a professor.

Write what you know-50/50 on this one.

I’ve written about things I can only imagine. I mean, who murders someone just so they can write about murder? In fact, one of my first manuscripts is about a female attorney. I knew the material, but so many have written legal scenarios and lawyer protagonists that I wasn’t sure I had much to add to the genre. Not to mention that I felt as though I was at work 24/7. I ended up putting that manuscript on the shelf and turned to write Running. If you’re unsure about your ability to write a believable scenario in an area you don’t know, then maybe you should write what you know at first. Just be prepared to branch out if necessary.

Those are the big pieces of advice I heard along the way and my approach to the matter. I’ll blog about the advice to a newly published author next!

Jamie Freveletti
Author
Running from the Devil
http://www.jamiefreveletti.com/

Monday, June 8, 2009

Views from a Newbie

OK. I admit it. My first Thrillerfest intimidated me. I mean, who was I to walk among these literary giants? Granted, my plan wasn't to walk among them so much as sit, shut my mouth, and listen to every piece of advice given. Still, when my agent suggested I go, I wasn't sure what to expect. At the time, I had completed four novels, all of which had been summarily rejected by only the finest houses. Some accomplishment, right? But at Thrillerfest it seems that every attendee is either a highly successful or at least a debut author--it's hard not to feel an unsettling mix of envy and awe.

Fortunately, it doesn't take long for that all to dissipate. I quickly leaned that published authors are people too. Craftfest was surprisingly personal, with the lecturers more than willing to answer any question a newbie might have, even the stupid ones (I might have had a few of those). The receptions were even more intimate, and it wasn't long before I felt like I was walking among my kind. Finally, a conference where I wanted to talk about work! Though I was fortunate enough to have representation and did not attend Agentfest, I heard it was very successful and well worth the extra shekel or two to attend. The debut author luncheon was particularly inspiring--here was a first-hand look at those who had finally crossed that line from hobby to profession, to a place where passion was actually rewarded. I sat next to Julie Compton, debut author of the fantastic TELL NO LIES, and soaked up her tale of publishing trials and tribulations. Listening to the excitement in her voice, I wondered how long before I would join the ranks of Julie and the other debut authors in the room.

While the formal events wrapped up in the late afternoon, a sizable literary crowd could be found at night in the hotel bar, where drinks flowed well into the early morning hours and the loosened tongues of storytellers spun one tale after another. At one point I even found myself sitting next to Lee Child, offering another round to a man who could easily dismissed me as a nobody but didn't. How the hell did I get here? I remember wondering.

So what did I get out of Thrillerfest aside from a wicked hangover and a suitcase full of hardbacks? Inspiration. Yes, I made friends and professional contacts, all of which were invaluable, but the inspiration I got from being around such creative energy fueled me for months. Writing is such a lonely and personal affair it's easy sometimes to think you're the only person in the world doing it. Thrillerfest is a cure for that solitude and creative isolation. So this is my advice to any newbie sitting on the fence about going: GO. I know Thrillerfest is expensive, and it might not be something you can do every year, but do it at least once. You'll be happy you did it, and if you're really lucky, you might even get Lee Child drunk enough to tell you the story about the dwarf and the pineapple.

Carter Wilson
www.carterwilson.com

Wednesday, May 27, 2009

Why Am I Here and What Should I Do? ThrillerFest Opportunities Explored!

Whether you’re a reader, writer or industry professional ThrillerFest is an amazing opportunity to meet thriller writers and learn more about the craft of writing thrillers.

If you’re a reader there will be book signings and parties with plenty of opportunities to meet your favorite authors. It’s a more personal setting where you are a part of the group.
For aspiring authors there are many workshops and a lot of established authors who are happy to share their experience and knowledge with you. And that’s what CraftFest is for! Check out all the great workshops where you can learn more about your craft! http://www.thrillerwriters.org/thrillerfest/programming/

Are you ready for that next step? Do you have a manuscript finished, polished and ready to go? Then sign up for the entire ThrillerFest package and attend AgentFest! http://www.thrillerwriters.org/thrillerfest/agentfest.html
AgentFest is a fun and exciting way for you to talk to numerous agents and pitch your book!

ThrillerFest is an exciting experience where a variety of people get together to study, celebrate and discuss the thriller/suspense and mystery genre. Check out the ThrillerFest website to see details of workshops, guests and opportunities.

Here is best selling author Barry Eisler talking about what there is to do at ThrillerFest and why you shouldn’t miss it!


Sheila English
ITW Social Networking Chair

Monday, May 25, 2009

The Mayor

By Jeff Ayers

Fifth grade:
I discovered two television shows that will change my life forever. Star Trek with Captain Kirk and his crew and the Twilight Zone. I’m completely overwhelmed by the quality of the stories and quickly learn that people actually wrote them! I started devouring every science fiction book I could find, and one of the books I discovered was a book by Ray Bradbury called The Martian Chronicles. After reading it, I immediately decided I must become a librarian and a writer. My first novel, all twelve pages of it, was titled Airplane Smashup and a Gun. The characters in the novel were my classmates. I learned two things about that experience: Don’t make the bullies mad by killing them in extra harsh ways, and don’t reveal the crush you have on the girl in class. The question I have now looking back is: Why was I reading science fiction and writing a thriller?

Flash forward: I always surrounded myself with books, from helping out in the school library and bookroom to my first paying job as a shelver at the public library. I worked my way up the library food chain and even spent some time working in a law library in San Francisco (ask me about working for attorneys sometime) and in a corporate setting (Boeing). But my love of reading called me back to the public sector and I got my dream job helping select the material for the entire library system. I had a wonderful boss, great co-workers, was working with publishers, and learned about advance reader copies. (ARCs). True heaven for the fan boy.

Time stop: I was sitting in the office of world famous librarian Nancy Pearl, (you may have seen the action figure-actually comes with a book cart and shushing action) and she was on the phone talking to someone at Library Journal. Nancy looked at me and asked, “Would you be interested in reviewing suspense thrillers for Library Journal?” When I regained consciousness, I, of course, said yes. I was told to write on the spot a review of the book I was currently reading. (I remember it was the thriller Quicksilver by Judith and Garfield Reeves-Stevens, who have also written--wait for it--Star Trek novels). Nancy looked at it and then faxed it to the editor at Library Journal. I was told it would take two to three weeks to come to a decision. When I got back downstairs to my desk, there was an email congratulating me.

Real life intrusion: I loved both my job and writing reviews. Then, circumstances changed. Once again feel free to ask for the whole scenario when you see me. Anyway, changes at work, mid-life crisis, the whole shebang. I had turned in a review to LJ a couple of weeks earlier, and while I was driving to work, feeling miserable, I heard a voice. It told me that I would interview the author. I had never done anything like that before and had no idea how to even begin to do something along those lines. I contacted my editor when I got to work and she said, “If you were going to interview him, you would have had to turn it in with the review. Sorry.” So, I figured that was the end of the idea. But the voice persisted. So, I contacted my local newspaper, the recently defunct Seattle Post-Intelligencer, and asked if I could interview this author to coincide with an appearance in a Seattle bookstore. After a ton of writing samples and reassurances I could do it, the editor at the PI agreed. It was then I realized I had better contact the author and see if he would let me interview him. Thank God he said yes. After the interview, I wrote and rewrote that article until I was almost dead. Without the guidance of my wonderful wife and a great friend who continued to challenge me to do better, it would have been a piece of garbage. When it was published, I was thrilled beyond belief. A couple of days later, the author came to town, and when we met, he said, “That is the best article anyone has ever written about me. Why are you not writing full time?” I took his advice to heart and even my wife said, “Writing is what you are supposed to be doing. I never saw you happier when you were working on the that interview.” Within six months, I had an agent (she represented--wait for it--a book on Rod Serling and another on Gene Roddenberry) and four months after that, my first book deal. It was my interview with Dan Brown and the discussion of his book The DaVinci Code that launched my writing career.

Who knew authors actually read my comments?: Around this time, I did a column on suspense thrillers for Library Journal. I praised Gayle Lynds and her book Masquerade. A couple of days later, I got an email from my editor at LJ asking if I would mind giving out my contact info to an author. When Gayle emailed me, I had the stunning revelation that not just librarians, but authors, read the reviews. My writing continued to grow--more columns, and more interviews with such wonderful people as Harlan Coben and Jeffrey Deaver for both the PI and Library Journal.

Interlude: I found my literary agent at a Writer’s Conference (PNWA) and I ended up joining their board. An editor from Writer Magazine was at the PNWA conference in a subsequent year and I decided to pitch an interview with Douglas Preston and Lincoln Child. The editor said, “Sorry, not interested.” Jump ahead to that evening where Douglas Preston gave the keynote address. After his talk, Doug was sitting next to me. I mentioned that I pitched an article on him and Lincoln without success. Shortly afterwards, the editor from Writer came over and said to Doug, “I would love to have you write an article for us.” Doug looked at him and said, “If you want an article, Jeff should write it.” Booya! When I regained consciousness, I wandered out in the hallway where the editor was standing. He handed me his card and said, “Contact me next week.” I ended up interviewing Doug and Lincoln, along with other amazing authors like Joe Finder and Robert Crais. I continue to write for them.

Mystery goes global: LJ asked me to write the feature story on the mystery genre for their special issue. While working on the specifics with my editor, she said, “You should interview Gayle Lynds, who started this International Thriller Writers, with David Morrell.” While interviewing Gayle, she gave me the background and revealed the sheer awesomeness of the group. All of my favorite authors in one place? How cool was that? She then said, “You can join.” When I regained consciousness, I became a member. Shortly after the article came out, I started writing for the ITW monthly newsletter. I started with the first issue and haven’t stopped. Then, my Star Trek book, Voyages of Imagination, was published by Pocket Books in November 2006.

Thrillerfest 2007: I was so excited to be in New York. I had missed the first Thrillerfest due to a work promotion. To my amazement, a lot of authors knew who I was from my reviews and my interviews. When I ran into Jeffrey Deaver in the hallway, he said, “That was a great interview you did with me.” He remembered who I was just by seeing my nametag! Other authors said similar things. I made some wonderful friends and discovered some new authors that I hadn’t read before. And, thanks to David Hewson, I was able to wander the halls and do quick interviews with several authors. The recorder I had worked great except for one author. For some reason, Jon Land kept breaking the recorder. Three attempts--three failures. I was such a huge fan of his and meeting him in person already threw me into fan boy mode--so I want to give a shout out to Jon for not making me feel too bad about it. One other highlight--I was standing next to Clive Cussler when a woman came running down the aisle toward us. My job was to move Clive from the room to the signing area and I thought, “Oh, no, another fan I have to tell to head downstairs and she could chat with him there.” She got to the stage, I started to tell her she needed to go downstairs, and she said, “No, I’m here to see you. You wrote that wonderful Star Trek book.” I said, “You want to talk to me? Seriously?” I then pointed next to me and said, “That’s Clive Cussler!” Clive laughed and said, “Jeff’s got a fan.” It was surreal to say the least. Shortly after Thrillerfest, I got an offer to review for Booklist.

Thrillerfest 2008: Prior to the event, I was asked to be an official media escort for Xetera Media Services. Next time you are on a book tour that takes you to the Seattle area, have your publisher give us a call. Thrillerfest itself: Another surreal event. Authors I love to read just wandering the halls. I moderated a panel on Getting Yourself and Your Books Noticed and sitting in the audience were several writers I admired--I wanted to stop the proceedings and just run over to them and say hello. But I maintained my composure. I walked the hallways with another author and we were chatting about the big names attending. As we walked, several of these authors walked by us, stopped and said hello to me. This author kept looking at me and finally he said, “How do all of these authors know you? Are you the Thrillerfest Mayor?” I told him I honestly didn’t know and it was just a fluke. We walked upstairs and Robert Crais was just coming into the area. He saw me and said, “Jeff, how’s it going?” The author I was with looked at me and whispered, “You are the mayor.” Two seconds later, Steve Berry walked up to me and greeted me by name. I didn’t realize until later that throughout that entire experience I was not wearing my nametag. To this day that author still calls me “Mayor.” Soon after the conference, I started podcasting author interviews for Author Magazine. (www.authormagazine.org). My very first audio interview? Jon Land. And my equipment survived!

Thrillerfest 2009: I was thrilled to be asked to moderate a panel this year again and when I saw the lineup of panelists, you guessed it. When I regained consciousness, I started thinking about how amazing and fun the whole Thrillerfest experience is. The panel is called Do Thrillers Deserve More Press? And it will be on Saturday Morning at 9:30 am in the Broadway room. I will be showing some intriguing data and I think it will be a great time for both the panel and the audience. And I’m happy to report that this year will bring another level to my time at the conference. I will have a thriller that is looking for a good home. I will also be wandering the halls with two different hats on--I’ll be walking around with a recorder again (grab me and let me interview you) and I’ll be doing some behind the scenes stuff as well.

As the unofficial “Mayor” of Thrillerfest, I decree everyone come and have a great time. And, please say hello.