Accidental Thriller Writers

Authors Julie Compton and Carla Buckley went along for years, thinking they were misunderstood. Knowing there was something missing. And then they bumped into each other at ThrillerFest 2008 and found out there was something else just as unusual as they were: their novels. Here they talk about that fateful meeting and what it meant for their writing careers.

Julie: I began to have creeping doubts about whether I belonged at ThrillerFest as soon as I checked in and was on the way to my room. Badge around my neck so others could identify me as a fellow conference-goer, I stepped onto the elevator at the same time as several other attendees. (I knew this because they, too, had ITW badges around their necks.) As I would later learn, thriller writers are a friendly bunch, and in keeping with this tradition, the group began to introduce themselves to one another. A gentleman near the back wall of the elevator extended his hand and said, "Hi, I'm David Morrell. I'm one of the founders of International Thriller Writers." I, in turn, introduced myself and explained that I was a debut author and it was my first time at the conference. In other words, I gave him a pleasant response as I would any person I'd just met.

So you can imagine my horror when I got up to my room, started flipping through the conference brochure, and discovered that the man I'd just met in the elevator was none other than the David Morrell, author of FIRST BLOOD (the novel in which Rambo was created) and many, many other novels. He is often referred to as the father of modern action novels.

But I didn't know this, because until my publisher categorized my novel as a legal thriller, I hadn't read many thrillers, or even many mysteries. (Unless you count the Nancy Drew books, of which I've read all, many times over.) Sure, I'm a lawyer, so I'd read Turow and Grisham and the like, but I simply wasn't familiar with some of the big names as most thriller writers are.

Now, I'm sure Mr. Morrell doesn't even remember this encounter (at least I hope he doesn't), but after a long weekend spent schmoozing with both chart-topping authors and debut authors like myself, I'm convinced that even if he reads this now, he'll forgive me my ignorance for not realizing just who it was I was meeting in that elevator. Why? Because above everything else I learned at ThrillerFest – and I learned a lot – I learned that no matter who you are, what you read, what you write, how many books you've written, how many books you've sold, and how well-known you are (or aren't), you're still welcomed with open arms into the ITW family.

Carla: Now, see, practically all I read are thrillers. I have to be force-fed anything that doesn’t have blood or death or a kidnapping by the end of chapter one. I blame this on Nancy Drew. She just dove right in. She didn’t listen to her dad, and she certainly didn’t listen to her boyfriend. By the time I was eleven, I was ready for the hardcore stuff – Ngaio Marsh. People died in her novels. Fortunes were stolen. Crimes were committed. I was a goner.

When it came time for me to write my own books, it made perfect sense to write what I’d always read. And of course I had to go to writers’ conventions, schmooze with my idols, suck up to every editor and agent who had the misfortune to cross my path.

Along the way, I found the agent of my dreams and stalked her until she gave up and sent me a contract. Back then, you could get away with a little stalking. Now they lock you up. She submitted my novel, then my next. And the one after that. The fifth one sold (or was it the tenth?) and the first words out of her mouth were, “You should join ITW, and if you can, go to ThrillerFest.”

Well, of course I could. Thriller writers are My People. We understand you have to have a lot of scary to make a person really feel alive. The scarier the better, and just I’d written a scary book. In fact, it was so scary, some editors were afraid to touch it. Seriously. They were.

So I registered for ThrillerFest, figured out which airport to land in, and practiced hailing a cab (no small feat in cornfield, Ohio.) I had my list of authors I wanted to ogle. I was meeting my editor for the first time. I was reuniting with my agent. It was going to be great.

Until my editor told me she wasn’t certain that what I’d written was a thriller.

Julie: So you thought you'd written a thriller, and your editor said you might not have, and I thought I'd written a "relationship-y" book about love, lawyers, and betrayal, and my editor said I'd written a legal thriller. Hmm . . .

Carla: Well, I should’ve seen it coming. My agent had said the same thing when she first read the manuscript, but I just clapped my hands over my ears. I’m not listening. But then we started getting feedback about how scary it was. Doesn’t that say thriller to you? And it sold and apparently it wasn’t a thriller. Very confusing.

Julie: Scary? Yes, that does say thriller to me. But it was exactly this "confusion" that sparked our friendship, I think, don't you?

Carla: That, and our winning personalities.

Julie: Well, of course, that too. It was the second night of the conference, and the debut authors had dinner together at . . . do you remember the name of the restaurant?

Carla: All I remember was I paid twenty bucks for a diet Coke.

Julie: I think I shared my appetizer with you, didn't I? Anyway, I had the good fortune to plop myself down right next to you, and I'll never forget your first words to me after telling me your name: "I'm not really supposed to be here."

Carla: You didn’t plop. You slid very gracefully onto the hard vinyl bench. And I wasn’t supposed to be there. I was party-crashing. Just minutes before, I bumped into Karen Dionne outside the Random House opening reception and she immediately invited me to join the debut authors that evening. I was next year’s class, which is actually now this year’s class, but since my publication date’s been moved into 2010, I had to move, too, and I’m now in next year’s class. Stay with me, Julie. You haven’t dozed off, have you?

So when you appeared beside me, looking so friendly and totally together and genuine, I thought I’d better let you know I was an imposter.

Julie: I'm not so sure about that "totally together" part, but I immediately identified with the sentiment, because like I said, I wasn't really sure if I was supposed to be there, either. We began to talk, and we discovered we had much more in common than an "author identity crisis." We're both stay at home moms with two kids . . .

Carla: Actually, I have three kids. It’s hard for me to keep count of them, too.

And, please. You are totally together.

Once we started talking about our kids and the fact that we both used to do something other than drive carpool and make cupcakes for the bake sale, we definitely clicked. Plus we had both moved away from the places we considered home: me from the East Coast to the Midwest, and you from the Midwest to the East coast. So we knew a little bit about making homes away from home, and feeling like outsiders. But when I confided to you that I’d been told my book might have more in common with Jodi Picoult and Anita Shreve, than the thriller writers I’d been worshiping, you lit up. Christmas had come to Times Square (which was actually ten blocks away, but you get the idea.)

Julie: Three kids? Really? I knew that. I meant to say, we have two kids the same age . . .

But yes, it's true. I did light up, and I don't even smoke. After all, my publisher described my novel as part Scott Turow, part Jodi Picoult. For the first time I started to think, hey, maybe I do belong here. Maybe a novel doesn't have to have explosions and car chases and Bruce Willis waiting to play the lead in the screenplay in order to qualify as a thriller. (Because I've been told Patrick Dempsey aka McDreamy would make a much better Jack – the protagonist of my novel.)

Carla: See what I mean about her being so together? She’s already talking McDreamy for the movie.

Julie: Well, when people first suggested him, I wasn't sure. After all, Jack is fair-haired. But if accepting Jack as tall, dark and handsome instead of tall, fair and handsome is the price for seeing my story on the big screen, I'm willing to pay.

Carla: Smart girl. Anyway, I was hugely relieved to find someone who not only knew what the Picoult/Shreve reference meant, but actually thought that it was a good thing. All of sudden, I began to think that maybe it was okay my novel didn’t have car chases and explosions in it (it does have some mucus, but I suppose that doesn’t count.) Maybe it was cool to be Thrilleresque. That was us: we were Thrilleresque.

Julie: Thrilleresque! I love it! I think we're starting a new sub-genre. If David Morrell is the father of modern action novels, maybe Carla Buckley and Julie Compton can be the mothers of modern chick-thrillers.

Carla: I like how you put my name first. See why I like this girl…chick, I mean. Julie is definitely chick material. She has a motorcycle. I have a minivan. I long to be a chick. Chicks read thrillers and Picoult; they write thrillers a la Shreve. They go to ThrillerFest and start a little something.

Julie: Some say write what you know, but I prefer to know what I write. When I started my second novel and decided to make my protagonist a biker, I figured I'd better learn how to ride. And then, once I learned how to ride, I figured I needed a bike. You see where this is going . . .

But I think what we're trying to say is, you can't always be sure what you've written. And when that's the case, listen to your agent and your editor when they tell you that your novel is – if not a pure thriller – Thrilleresque. Otherwise, you might not have the opportunity to attend ThrillerFest and strike up a friendship with a cool chick like Carla. (And yes, Carla, you most definitely qualify as a cool chick.)

Check back when Thrilleresque writers Carla and Julie return to discuss: What IS a thriller, anyway? Stay tuned.


UPDATE: For those who'd like to post a comment and want to maintain a little anonymity (we're thrilleresque writers--we like a little scary), you don't have to sign in. Simply select OPEN ID and type in the name you'd like to appear as (this could be your pet's name and we'd never know...)

Julie Compton is the author of the legal thriller, TELL NO LIES (St. Martin's Minotaur 2008). Her second novel, tentatively titled RESCUING OLIVIA, will be released by St. Martin's in February 2010. TELL NO LIES is also published in the UK, the Netherlands and Spain.

Carla Buckley is the author of OUT OF THIN AIR, coming from Bantam Dell in May 2010. She is currently at work on her second Bantam Dell novel, INVISIBLE. Both books will also be released in Germany and the UK.

So Many Authors, So Little Time

ThrillerFest boasts a huge roster of authors. Take a look at the best seller lists – and I do mean all of them – and the chances of finding an ITW member are very good.

This year ITW will be honoring David Morrell, creator of the Rambo series, as 2009 ThrillerMaster – a title he certainly deserves. Last year’s ThrillerMaster, Sandra Brown, will also be on hand, along with the other special guests Robin Cook, David Baldacci, Brad Meltzer, and Katherine Neville. Where else can you find this level of talent in one location – other than sitting on the shelves of your local bookstore or library? My guess is nowhere. And yet, there is still more talent to be found lurking in the halls – often literally because ThrillerFest has been equated to summer camp and you never know who you’ll run into between panels, book signings, and guest author interviews.

Speaking of running into people in hallways, as I was leaving the on-site bookstore last year, I literally (almost) ran into Deborah LeBlanc. There was a panel I was eager to attend and was hurrying to catch it when Deb and I nearly crashed head-on beside the registration desk. I’ve been a fan of Deb’s work for a long time and even though we first met at ThrillerFest 2007, I was still a little intimidated by the fact that I could actually talk to someone I consider among my inspirational authors.

However, Deb’s from Louisiana and I’m from Mississippi so naturally two people with recognizable accents stop to chat. After lamenting the fact that sweet tea is all but nonexistent in NYC, I was feeling more at ease and our conversation turned to books and writing, as often happens when authors gather. We talked about her new book. We talked about mine. I never made it to the panel discussion but I had a great time talking with Deb, who introduced me to the founder of Circle of Seven Productions and creator of the book trailer phenomenon. A near collision turned into a great networking opportunity. Since then, I’ve kept in touch with Deb and am happily waiting to see her again this summer. (Hopefully, our meeting won’t result in a multi-author pile-up in the hallway.)

I tell this story to illustrate the kind of chance meetings that happen constantly during ThrillerFest. These are great opportunities to network or thank someone for pointing you in a new and wonderful direction. Of course not all meetings are by chance. There are some that are carefully orchestrated. Past attendees have friends they want to see and will arrange a coffee break or lunch. Some of the friends I’ve made are going to be there again this year and I can’t wait to see them. (You know who you are: Kelli Stanley, Rebecca Cantrell, Andrew Peterson, Carla Buckley, CJ Lyons, Karen Dionne, Julie Kramer, Don Helin, Matt Hilton and all the other ITW Debut Authors.)

Even without the added benefit of seeing friends, like most authors, I’m also an avid reader and have a list of authors I admire. It’s always a treat to see and talk to Lee Child, Jon Land, Shane Gericke, D.P. Lyle, Barry Eisler, and David Hewson. A few of the authors I’m looking forward to meeting this year include Nate Kenyon, Hank Phillippi Ryan, Dakota Banks, and Lisa Gardner. I’m especially looking forward to meeting Lisa, not just because I love her books, but I have to thank her and here’s why...

While working on Crimson Swan, I discovered a problem but I had no clue how to resolve it. I was in a serious funk when I came across an old file regarding plot structure that I’d downloaded on my computer long ago when I first began to seriously attempt writing fiction. It wasn’t very long or very detailed – a few pages among a larger work regarding suspense novels.

The summary article was written by Lisa Gardner, one of the best known suspense authors and a personal fave. A light shone over me and a chorus of heavenly voices sang – Okay, maybe it didn’t happen that way, but I can honestly say I took a major hit from the clue gun because of the article. I surfed over to Lisa’s site and found a more detailed article on structuring suspense novels. Using her suggestions, I broke through my funk and resolved the problem I’d encountered. Lisa may never read my book and she may never really know how much she helped, but I’ll have an opportunity to thank her in person come July. It’s one I don’t intend to let pass me by.

Yes, ThrillerFest is fun. It’s a great place to network and make friends. But, it’s also a place to learn from and thank those who’ve inspired or helped along the way, even when they didn’t know they were doing it.

Jeannie Holmes
Crimson Swan
http://www.jeannieholmes.com/

Debut Author at ThrillerFest

I attended my first ThrillerFest in July 2007. When I arrived in New York, I was the new guy on the block, having only recently signed a contract with Medallion Press for my debut novel, Thy Kingdom Come.

Over the next three days, I met authors who were household names, and others who were new to the publishing game, or still waiting to be discovered. During ThrillerFest, I heard informative presentations from some of the best—Lee Child, James Rollins, Lisa Gardner, and Tess Gerritsen, for example. Where else could one hear presentations from and ask questions of these pros? And they took plenty of time to answer questions.

During the year between ThrillerFest 2007 and ThrillerFest 2008, I became active with the International Thriller Writers Debut Author Program. In our mentor program, we heard from best-selling authors like Lee Child, MJ Rose, David Hewson, Sharon Linnea and Hank Phillipi Ryan. They covered issues such as guerilla marketing, developing a series character, and career building. Their honest and straight-forward answers to our many questions were helpful and so refreshing.

At ThrillerFest 2008, I now belonged to a group with common interests. During the Debut Authors Breakfast, I watched my fellow authors have the opportunity to summarize their novels for the audience, then do a signing. The maiden voyage of AgentFest gave many of us an opportunity to meet and talk to a number of agents. Nowhere else could one find this large group of experts from the publishing industry gathered in one place.

It soon will be time for ThrillerFest 2009. My own book, Thy Kingdom Come, was published in March. I’m using many of the suggestions from our mentors as well as my fellow debut authors to work with my publisher to market my novel.

During the Debut Authors Breakfast at ThrillerFest 2009, I’ll be on the podium with the other members of the 2008/2009 Debut Authors Class. While there, I’ll be thinking of all the information I’ve accumulated at ThrillerFest, and the friends I’ve made.

Thanks to the leaders of International Thriller Writers for starting ThrillerFest to make these opportunities available for all of us.

See you at ThrillerFest.

Don Helin
THY KINGDOM COME
www.donhelin.com