Welcome to the Thrillerfest V Blog!

We hope you'll bookmark us, just as you bookmark so many of the hundreds of the International Thriller Writers that participate in our annual conference, held in New York City in July.

ITW is a youthful organization, always ready for a new way of looking at things. You'll find that dynamism here, in blog posts from authors, agents, editors and Thrillerfest attendees, past and present.

And that same excitement you feel from your favorite reads is evident in everything ITW does, and no wonder--the organization, staffing and publicity for ThrillerFest--including this new blog--is undertaken by volunteers, most of whom are ITW authors themselves.

So pull up a chair and stay awhile ... discover the latest news on what Thrillerfest V--the fifth anniversary of the conference--has to offer. Visit old friends, make new ones, ask questions, and hear about the remarkable things in store for the conference.

Whether or not you can come see us in New York--and we hope that you can!--please join us here. It's gonna be ... a thriller!

Kelli Stanley, Thrillerfest Publicity Committee Chair

Thrillerfest Publicity Committee:
Jeannie Holmes
CJ Lyons
Carla Buckley
Grant McKenzie

Friday, January 8, 2010

Impact, by Douglas Preston - Sampling the Thrill



One of many great interviews with authors that you can find each month in The Big Thrill!


Perhaps best known for his collaborations with Lincoln Child, Douglas Preston is also the author of a series of bestselling thrillers that he writes by himself. His latest one, Impact, begins with an amateur astronomer watching a meteorite fall off the coast of Maine and deciding to try and find it on one of the barrier islands. Throw in Preston's recurring character, Wyman Ford, hired by the government to travel to Cambodia in search of some apparently not-from-earth gemstones, and you have all the makings of another fascinating thriller.

Preston pulls his ideas from disparate sources. "I got the idea many years ago when I was listening to an NPR report about the U.S.'s worldwide network of seismic sensors." They were mostly used to test for clandestine nuclear bomb tests; about twenty years ago they picked up the seismic signature of what looked like a nuclear test in the Australian Outback. "The interesting thing about the seismic signature of a nuclear test is it looks a lot like a meteorite impact." They didn't find anything, but what made everyone nervous at the time was that the site of the seismic event took place on an enormous ranch owned by the Aum Shinrikyo cult best known for releasing sarin gas on the Tokyo subway.Preston took that idea and combined it with a story he'd read in Scientific Americanabout "two unusual seismic events in late 2001 or early 2002. It appeared to scientists that it might have been caused by a particle striking the earth, passing through it, and coming out the other side. They thought this particle might be what is called a 'strangelet' or strange matter, or quark matter--a very strange kind of matter."

In addition, Preston had traveled to Cambodia in the 1990s for a story for National Geographic in search of undiscovered temples that had been uncovered by foliage-penetrating radar on the space shuttle. "I went along, but the problem was, the temple was in Khmer Rouge-held territory. Not only was it very difficult to get to--there were no roads or anything like that--but we had to bring an army with us. It was very exciting."

When asked how his writing process is different when writing novels by himself versus his collaborations with Lincoln Child, Preston says, "It's very different. It's a much lonelier process. As a writer you feel kind of isolated, you have no one to bounce ideas off, really; you are unsure whether you're going in the right direction or not. I would say it's stressful and lonely, but at the same time it's rewarding because it's your own work, for better or worse."

But fear not, Preston/Child fans, the next collaboration featuring Special Agent Pendergast, Fever Dream, is scheduled for May 11, 2010. Of their partnership, Preston says, "Of course, Linc and I complain together. We complain about everything and we congratulate ourselves on what fine fellows we are. It's nice to have a partnership like that."

He described their mutual process as basically one person writing something, then the other person saying how bad it is, then the two of them getting into fights until the publisher demands the manuscript. "When he calls me up and says this chapter really sucks, after I cool off and stop telling him what an idiot he is, I think, this is why we have a writing partnership, to speak the truth to each other. He rewrites and makes me furious, and I rewrite him, and that makes him furious. So he rewrites me and we go back and forth like that getting madder and madder at each other until the publisher starts demanding the manuscript. But for some reason that process works. We end up with something that's better than each of us could have written solo."
To which this writer says, "Mmmmm, maybe." Because both writers' solo novels are awfully damned good. And Impact will demonstrate that, no doubt.


Mark Terry is the author of the Derek Stillwater thriller series. His newest thriller, THE SERPENT'S KISS, is available in stores and online.



Find out more about great authors at ThrillerFest 2010!

Tuesday, January 5, 2010

Celebrate Craft! - It's in the Details

Celebrate Craft: from the blog of Kathryn Johnson, Write by You

What turns words on a page into a vivid scene? What magic do some authors perform that convinces readers a story is real and characters are people they might actually run into on the street?


Details do the trick!


Does that seem too simple an answer? Common sense or not, it's one element of fiction that is so often overlooked that editors and agents declare it's one of the most frequent reasons they turn down manuscripts. Yet this is such an easy problem for writers to fix, if they are just aware of it.


The trouble begins when the author—you, me, anyone regardless of experience—envisions their story and characters. To us, as creators, the people leap from our imagination with fully developed personalities. Our settings glow in our minds, complete with flora, fauna, and furniture! We "see" each scene as complete even as we polish our final draft, working on dialogue, plot, pacing, character development and consistency.


But what does the reader see? Only what we put on the page. Therefore, it's important to weave in enough physical details for the reader to work with in her own imagination, allowing her to come up with a fictional world that is, if not exactly the same as the one we envision when we wrote the scene, at least similar and as vivid in its own way. Stories that take place in a muddy void aren't convincing. Stories that give us only generic details—flowers instead of iris, roses, and lilacs; buildings instead of chic condos, Georgian mansions, or mud-daub huts—leave the reader unconvinced that this world on the page actually exists.


Some writers shy away from using the most obvious details—locations that are available to anyone who walks through a specific city or town. Is it fair game to set a scene in the Four Seasons restaurant in Manhattan, to fly on U.S. Air, to allow your characters to stroll down Connecticut Avenue in D.C. or work for the World Bank? Absolutely. In fact, a sense of recognition plays a very strong role in making your story come to life. A good general rule is: as long as you're not saying anything libelous about a business or place, you're safe.


Take the time to play with details in your story, adding just enough to bring your scenes and characters fully to life. Coloring your story brings it from tonal grays to vibrant color…and may make the difference between a near miss and an offer on your next book. Happy Writing! --Kathryn


You can celebrate craft with us at CraftFest in New York in July!

Thursday, October 15, 2009

Your ThrillerFest Wishlist for 2010

Everyone is already looking into their crystal ball for ThrillerFest 2010! The last convention was a great success and you can still order the audio tracks for the workshops! But what I really want to know is how can we out-do ourselves next year?

It's always a challenge to be better each year and the best way to be better is to get feedback and find those authors, events and fun times that YOU are interested in! What would you like to see for the next ThrillerFest?

Saturday, September 26, 2009

Dream Killers

Dream Killers

I’m a bit tired of people stepping on dreams. I have a lot of dreams. Some are pretty attainable, and others are off the charts so rare that even I have to admit the odds are long.

But I still don’t want you to step on them.

My view on dreams is that if I’m not bothering anyone, haven’t compromised my real life existence to attain them, and in other ways am a responsible person, then the best thing to do is leave me go on my merry way.

Which brings me to the moral dilemma I face when giving panels on writing. People ask me, will this be published? What are the odds? What do you thnk?

Here’s what I think: the odds are long, we know that. The time spent on writing may never pay off, either financially or in published format, we know this also. So what? Should you give up? Stop writing? Choose not to start? Only you know if that’s right for you.

Of course, this answer never satisfies. When I say, “if you continue, diligently, for many years, taking courses, staying in the writing world, going to conferences and panels to pick up tips, you will be published.”

The next question I get is: “How many years?”

Answer: Depends.

This answer is not acceptable to many, either, but it’s true. Last week I watched “Biography” present George Clooney. By most standards, he’s a success in his field. The backstory was interesting. He landed in Hollywood in his early twenties. Did bit parts and recurring roles until he hit with “ER.” Time from landing in LA to ER: ten years give or take. Ten years to get a role that really pushed his career to the next level. That’s a long time. If I said ten years to a new writer, they’d likely get angry. “Ten years! But I want this manuscript to sell now, not ten years down the road.”

I imagine Clooney wanted to hit ten years earlier, too, but that wasn’t in the cards for him. From ER he took roles in movies that generated roller coaster reviews and average box office. Then came “The Perfect Storm.” Big hit, great reviews. Time from landing in LA to big hit—eighteen years, give or take.

So should the unpublished writer give it ten years to get published, another eight to hit huge, and be prepared to wait eighteen altogether? I’m not a fan of delusion, but in this case absolute truth is harsh. Even I, the tortoise of the hare and tortoise race, wince at eighteen years.

But I write because I have to. I love it. A few days without writing and I’m definitely headed into a downer mode. Best I just hit the computer for a couple of hours. I always feel better after. The only other option is to quit. Now, that’s a great option if it doesn’t really matter to you, but if you like writing, like creating characters, and like the creativity that goes along with it, then don’t quit.

Just trudge onward. Your turn will come.

Jamie Freveletti
Author
Running from the Devil
www.Jamiefreveletti.com

Wednesday, July 22, 2009

Advice I received and some I ignored—Unpublished era.

My manuscript has been sold, the book published and I’m gearing up for round two on a debut book launch and events. Over the past year and a half I’ve been given boatloads of advice. Here’s what ended up working, and not working, for me:

Write every day—Not for me.

This advice comes from those who write like crazy. Many who say this are well published. I write a lot, but not every day. Frankly, there are not many things I do every day except raise children. When I worked as a lawyer and the kids were smaller I wrote every other day on average. Vacations- and beach vacations in particular- ramp up my word count and as a result my children have seen a lot of sand.

Outline—Not for me.

I get an idea for a premise and begin writing. I research along the way, but while I’m still writing. I remember what James Rollins once said at a conference I attended: “when you’re researching you’re working but not writing.” In other words, doing prep work accomplishes something but you are still no closer to finishing the novel.

Take a creative writing class-50/50 on this one.

I began with an evening course at the University of Chicago Gleacher center. I got into the groove of writing there, but by no means do I think it is a necessary step to becoming a writer.

Get a Masters in Fine Arts-Not for me.

I have some degrees and diplomas. Enjoyed them all, but just don’t have it in me to get one more. Thankfully, this bit of advice is only necessary if you want to obtain a position as a professor.

Write what you know-50/50 on this one.

I’ve written about things I can only imagine. I mean, who murders someone just so they can write about murder? In fact, one of my first manuscripts is about a female attorney. I knew the material, but so many have written legal scenarios and lawyer protagonists that I wasn’t sure I had much to add to the genre. Not to mention that I felt as though I was at work 24/7. I ended up putting that manuscript on the shelf and turned to write Running. If you’re unsure about your ability to write a believable scenario in an area you don’t know, then maybe you should write what you know at first. Just be prepared to branch out if necessary.

Those are the big pieces of advice I heard along the way and my approach to the matter. I’ll blog about the advice to a newly published author next!

Jamie Freveletti
Author
Running from the Devil
http://www.jamiefreveletti.com/

Thursday, July 9, 2009

July 8 - CraftFest Opening Day

The days spent at ThrillerFest always feel like an extended family reunion. I almost feel as though I'm seeing favorite, distant cousins who live too far away instead of reconnecting with friends. Naturally, there are the "new" people but they are quickly accepted into the family and the cycle continues. If you haven't attended a previous ThrillerFest - and you aren't already here this year - I highly recommend you join us in 2010. We'd love to see you!

And...just to tempt you, I'll be blogging every day this week with a summary of the day's events. Lots to say so let's get started.

CraftFest opening day kicked into high gear early with sessions from powerhouses David Morrell, Lisa Gardner, Lee Child, Kathleen Antrim, Jon Land, Steve Berry, Heather Graham, and more. Unfortunately, I was only able to attend a few of the classes. Thankfully, all sessions are being recorded, as they were last year, and will be available for purchase post-conference. (More on that later in the week.)

"The Business of Writing" Bonus Power Session with David Morrell - this year's ThrillerMaster - covered topics such as advances, day jobs, taxes, and common mistakes made by authors. When "Rambo's Daddy" speaks, people listen and the audience for this session was attentive and more than a few people were taking notes. Summary: When the book is sold, don't go nuts. Save and spend wisely. Don't give up your day job.

"Living on the Ritz - How to Hit the Times List in Five Years or Less" with Lisa Gardner was entertaining as well as informative. Lisa used her own works as an example and discussed what it means to be on the NY Times list. Summary: Know your strengths and weaknesses as an author. Know what you want to write in terms of genre. Always remember the writing comes first.

"Creating a Series Character" presented by Lee Child was incredibly entertaining. Using his popular Jack Reacher novels as examples, Lee discussed what makes a good series character and some of the missteps to avoid in the creative process. Summary: Don't try to write a "likeable" series character. Characters are created by the readers as much as by the writers. If it's a good solid character, the series will follow.

"Successful Rewriting: Paring Down and Fleshing Out" was incredibly popular - standing room only popular. Lisa Gardner outlined her method of rewriting using notecards and how it helped her novel "The Perfect Husband" be "bigger." Summary: Notecards, flow charts, outlines - it doesn't matter the method used, if it works for you and allows you to see where your story is strongest and where it needs work, use it!

"Chill Me, Thrill Me, Fulfill Me" gaves participants a hands-on writing exercise under the direction of Heather Graham. Attendees were invited to read their creations aloud and "pitch" their work to Heather. Summary: Given the same opening line, a dozen writers will create a dozen different stories. Know your work and approach pitches with confidence.

Day 2 - Thursday, July 9 - will see more great events. Sessions with Andrew Gross, Donald Maass, Gayle Lynds, James Rollins, M. J. Rose, and of course, AgentFest - the annual pitch session to end all pitch sessions. I'll report on the events in the evening so be sure to check back!

Jeannie Holmes
www.jeannieholmes.com

Wednesday, July 1, 2009

Put On Your ThrillerFest Best!

One more week! I can't wait! I've started emailing friends who I'll meet in NY at ThrillerFest. We're making plans as to where to meet, what to drink and how to make the best of our convention experience.

There are so many people I look forward to meeting! Some because they are friends, like Barbara Vey and Douglas Clegg, some because they are people I've worked with like Heather Graham and Nina Bruhns. There are people I feel like I know because I've talked with them online like Joe Moore and James Rollins and then of course there's the reader side of me that's star struck to see Sandra Brown, Clive Cussler and Steve Berry. This is going to be a fantastic week of fun, networking and learning!

I know some of you will be blogging and Tweeting, some will be doing interviews both audio and video. I would love to know if you plan on doing that during the event! I hope you'll share! If you are Tweeting our official Twitter handle is #thrillerfest. So please be sure to include that in your Tweets so we can find you and so we can help promote your Tweets!

I will be doing little videos during the convention as will Barbara Vey of Publisher's Weekly and a few others. Look for us! If you will be talking about ThrillerFest during the event and would like us to cross-promote or share your blogs, tweets or video please let me know! You can contact me at sheila.english@thrillerwriters.org.

It's time to start getting ready! I'm off to prepare for the event, buying new shoes and breaking out my best fake diamonds! I'll leave you with a wonderful video Barbara Vey took of Brad Thor last year during ThrillerFest. This was lost in the archives until recently and I'm so happy to be able to share it!