Welcome to the Thrillerfest V Blog!

We hope you'll bookmark us, just as you bookmark so many of the hundreds of the International Thriller Writers that participate in our annual conference, held in New York City in July.

ITW is a youthful organization, always ready for a new way of looking at things. You'll find that dynamism here, in blog posts from authors, agents, editors and Thrillerfest attendees, past and present.

And that same excitement you feel from your favorite reads is evident in everything ITW does, and no wonder--the organization, staffing and publicity for ThrillerFest--including this new blog--is undertaken by volunteers, most of whom are ITW authors themselves.

So pull up a chair and stay awhile ... discover the latest news on what Thrillerfest V--the fifth anniversary of the conference--has to offer. Visit old friends, make new ones, ask questions, and hear about the remarkable things in store for the conference.

Whether or not you can come see us in New York--and we hope that you can!--please join us here. It's gonna be ... a thriller!

Kelli Stanley, Thrillerfest Publicity Committee Chair

Thrillerfest Publicity Committee:
Jeannie Holmes
CJ Lyons
Carla Buckley
Grant McKenzie

Wednesday, May 27, 2009

Why Am I Here and What Should I Do? ThrillerFest Opportunities Explored!

Whether you’re a reader, writer or industry professional ThrillerFest is an amazing opportunity to meet thriller writers and learn more about the craft of writing thrillers.

If you’re a reader there will be book signings and parties with plenty of opportunities to meet your favorite authors. It’s a more personal setting where you are a part of the group.
For aspiring authors there are many workshops and a lot of established authors who are happy to share their experience and knowledge with you. And that’s what CraftFest is for! Check out all the great workshops where you can learn more about your craft! http://www.thrillerwriters.org/thrillerfest/programming/

Are you ready for that next step? Do you have a manuscript finished, polished and ready to go? Then sign up for the entire ThrillerFest package and attend AgentFest! http://www.thrillerwriters.org/thrillerfest/agentfest.html
AgentFest is a fun and exciting way for you to talk to numerous agents and pitch your book!

ThrillerFest is an exciting experience where a variety of people get together to study, celebrate and discuss the thriller/suspense and mystery genre. Check out the ThrillerFest website to see details of workshops, guests and opportunities.

Here is best selling author Barry Eisler talking about what there is to do at ThrillerFest and why you shouldn’t miss it!


Sheila English
ITW Social Networking Chair

Monday, May 25, 2009

An Interview with Valerie Gray, Executive Editor of MIRA Books








The ink had barely dried on my contract when my new editor asked if I was going to Thrillerfest. Top thriller authors giving craft workshops? A chance to meet other thriller authors and my publisher? July in NYC? Who could resist such temptation?

Not I. “Of course”, I replied without hesitation. In anticipation of the long-awaited event, I have interviewed my fabulous editor, Executive Editor Valerie Gray, MIRA Books, about MIRA’s thriller fiction line and why she recommends her authors attend Thrillerfest.

PAM: When did MIRA start its thriller fiction line? What is the vision for the line? And where did the name MIRA come from?

VALERIE: MIRA Books got started way back in 1994 and began publishing a range of editorial including Romantic Suspense. Over the years this genre did very well for us and was always a strong part of the program. Then, about five years ago in 2004, we decided to really focus on Thrillers per se. We felt this was an important segment of the publishing business and we focused our attentions on ensuring our books had a strong female presence that was aimed at the female reader. This mandate is still relevant today. Many men enjoy our books, and we are happy about the so-called “crossover” reader, but we never want to lose site of the fact that our Thriller books remain female driven.

As to the name MIRA, it was chosen because it means “star”, and we like to think our authors and their books are the brightest stars in women’s fiction.


PAM: What do you look for in a thriller? Why do you enjoy editing thriller authors?

VALERIE: For me, it’s all about the writing and storytelling. I want to be surprised and moved; I want to be impressed. I want to think about something I’ve never thought about before. I want to engage powerfully with the characters, and I want to feel anxious and excited. I am a self-confessed snob when it comes to the words on the page—make me stretch as a reader and make me gasp with anticipation and make me wish I could do it.

As a group, I’ve found the Thriller community to be supportive, inventive and inclusive, and they are just about the nicest group of people you could meet—and so normal! It makes me laugh when I try to fathom where on earth a mild-mannered reporter, or a reclusive, anxious lawyer come up with these crazy, scary ideas. Must have been something about their childhood! What’s not to like about working with people like that?

PAM: Thriller 2: Stories You Just Can’t Put Down, edited by master thriller author Clive Cussler (MIRA Books, June 2009) is a very slick anthology. What’s the story behind the stories?

VALERIE: A few years ago ITW had the idea to publish an anthology of short stories by some of the best known names in Thriller fiction. Naturally, several publishers were interested in this project and MIRA Books was the lucky winner. The first anthology was published in 2007 and was titled Thriller: Stories To Keep You Up All Night edited by the esteemed James Patterson. The book was a terrific success.

Now, two years later, MIRA Books is proud to publish the second volume. The anthology this year features some of the best known names in the genre, along with new writers who are just making names for themselves. MIRA Books is very proud to be associated both with ITW and with these two wonderful volumes.

PAM: In your experience, how often have you signed on a new author from a pitch? What is the best pitch you’ve ever heard at Thrillerfest?

VALERIE: We rely heavily on agents to vet our material for us. If they tell us they have something exciting, we’ll look at it. So if you want to submit to us, getting an agent is your best bet.

Usually pitches make me nervous because, often, the writer is nervous and it can be a difficult experience. I spend the whole time hoping to be enthralled and knowing I probably won’t be. The best pitch I ever experienced was not at Thrillerfest, but at the Surrey International Writer’s Conference. I was riveted for more than half an hour and that is saying something. It is the only time I’ve ever bought a book as a direct result of a wonderful pitch. And, of course, the book was even better.

PAM: What is your favourite part of Thrillerfest?

VALERIE: Editors are groupies, too. It was a thrill to hear people like Steve Berry and Lee Childs, R.L. Stein, Karen Rose, Laura Lippman and James Patterson to name a few offer their encouragement and support for their fellow authors. The various cocktail parties are always fun, as is the closing banquet. As you will discover, many Thriller writers are also excellent musicians and singers. And there is no shortage of humor and bon mots.

PAM: What makes Thrillerfest stand out in your mind?

VALERIE: Thrillerfest stands out in my mind because of the unabashed support these authors have for one another.

PAM: What was the most fun you’ve had at Thrillerfest?

VALERIE: If I had to single out any one thing it would be the hilarity at the closing banquet. But, be warned, dress for the arctic. The ballroom was like a meat locker.

PAM: Why do you recommend that your authors attend Thrillerfest?

VALERIE: You will meet wonderful people who will inspire you. There is no other reason.

That’s reason enough for me. What I love about conferences is the serendipitous nature of them, where a chance remark can stoke the creative fire. And that’s why we all began writing, isn’t it?

See you in NYC.

Pamela Callow


Pamela Callow is the author of a new legal biomedical thriller series for MIRA Books. DAMAGED will be released in June 2010, followed by INDEFENSIBLE in January 2011.




The Mayor

By Jeff Ayers

Fifth grade:
I discovered two television shows that will change my life forever. Star Trek with Captain Kirk and his crew and the Twilight Zone. I’m completely overwhelmed by the quality of the stories and quickly learn that people actually wrote them! I started devouring every science fiction book I could find, and one of the books I discovered was a book by Ray Bradbury called The Martian Chronicles. After reading it, I immediately decided I must become a librarian and a writer. My first novel, all twelve pages of it, was titled Airplane Smashup and a Gun. The characters in the novel were my classmates. I learned two things about that experience: Don’t make the bullies mad by killing them in extra harsh ways, and don’t reveal the crush you have on the girl in class. The question I have now looking back is: Why was I reading science fiction and writing a thriller?

Flash forward: I always surrounded myself with books, from helping out in the school library and bookroom to my first paying job as a shelver at the public library. I worked my way up the library food chain and even spent some time working in a law library in San Francisco (ask me about working for attorneys sometime) and in a corporate setting (Boeing). But my love of reading called me back to the public sector and I got my dream job helping select the material for the entire library system. I had a wonderful boss, great co-workers, was working with publishers, and learned about advance reader copies. (ARCs). True heaven for the fan boy.

Time stop: I was sitting in the office of world famous librarian Nancy Pearl, (you may have seen the action figure-actually comes with a book cart and shushing action) and she was on the phone talking to someone at Library Journal. Nancy looked at me and asked, “Would you be interested in reviewing suspense thrillers for Library Journal?” When I regained consciousness, I, of course, said yes. I was told to write on the spot a review of the book I was currently reading. (I remember it was the thriller Quicksilver by Judith and Garfield Reeves-Stevens, who have also written--wait for it--Star Trek novels). Nancy looked at it and then faxed it to the editor at Library Journal. I was told it would take two to three weeks to come to a decision. When I got back downstairs to my desk, there was an email congratulating me.

Real life intrusion: I loved both my job and writing reviews. Then, circumstances changed. Once again feel free to ask for the whole scenario when you see me. Anyway, changes at work, mid-life crisis, the whole shebang. I had turned in a review to LJ a couple of weeks earlier, and while I was driving to work, feeling miserable, I heard a voice. It told me that I would interview the author. I had never done anything like that before and had no idea how to even begin to do something along those lines. I contacted my editor when I got to work and she said, “If you were going to interview him, you would have had to turn it in with the review. Sorry.” So, I figured that was the end of the idea. But the voice persisted. So, I contacted my local newspaper, the recently defunct Seattle Post-Intelligencer, and asked if I could interview this author to coincide with an appearance in a Seattle bookstore. After a ton of writing samples and reassurances I could do it, the editor at the PI agreed. It was then I realized I had better contact the author and see if he would let me interview him. Thank God he said yes. After the interview, I wrote and rewrote that article until I was almost dead. Without the guidance of my wonderful wife and a great friend who continued to challenge me to do better, it would have been a piece of garbage. When it was published, I was thrilled beyond belief. A couple of days later, the author came to town, and when we met, he said, “That is the best article anyone has ever written about me. Why are you not writing full time?” I took his advice to heart and even my wife said, “Writing is what you are supposed to be doing. I never saw you happier when you were working on the that interview.” Within six months, I had an agent (she represented--wait for it--a book on Rod Serling and another on Gene Roddenberry) and four months after that, my first book deal. It was my interview with Dan Brown and the discussion of his book The DaVinci Code that launched my writing career.

Who knew authors actually read my comments?: Around this time, I did a column on suspense thrillers for Library Journal. I praised Gayle Lynds and her book Masquerade. A couple of days later, I got an email from my editor at LJ asking if I would mind giving out my contact info to an author. When Gayle emailed me, I had the stunning revelation that not just librarians, but authors, read the reviews. My writing continued to grow--more columns, and more interviews with such wonderful people as Harlan Coben and Jeffrey Deaver for both the PI and Library Journal.

Interlude: I found my literary agent at a Writer’s Conference (PNWA) and I ended up joining their board. An editor from Writer Magazine was at the PNWA conference in a subsequent year and I decided to pitch an interview with Douglas Preston and Lincoln Child. The editor said, “Sorry, not interested.” Jump ahead to that evening where Douglas Preston gave the keynote address. After his talk, Doug was sitting next to me. I mentioned that I pitched an article on him and Lincoln without success. Shortly afterwards, the editor from Writer came over and said to Doug, “I would love to have you write an article for us.” Doug looked at him and said, “If you want an article, Jeff should write it.” Booya! When I regained consciousness, I wandered out in the hallway where the editor was standing. He handed me his card and said, “Contact me next week.” I ended up interviewing Doug and Lincoln, along with other amazing authors like Joe Finder and Robert Crais. I continue to write for them.

Mystery goes global: LJ asked me to write the feature story on the mystery genre for their special issue. While working on the specifics with my editor, she said, “You should interview Gayle Lynds, who started this International Thriller Writers, with David Morrell.” While interviewing Gayle, she gave me the background and revealed the sheer awesomeness of the group. All of my favorite authors in one place? How cool was that? She then said, “You can join.” When I regained consciousness, I became a member. Shortly after the article came out, I started writing for the ITW monthly newsletter. I started with the first issue and haven’t stopped. Then, my Star Trek book, Voyages of Imagination, was published by Pocket Books in November 2006.

Thrillerfest 2007: I was so excited to be in New York. I had missed the first Thrillerfest due to a work promotion. To my amazement, a lot of authors knew who I was from my reviews and my interviews. When I ran into Jeffrey Deaver in the hallway, he said, “That was a great interview you did with me.” He remembered who I was just by seeing my nametag! Other authors said similar things. I made some wonderful friends and discovered some new authors that I hadn’t read before. And, thanks to David Hewson, I was able to wander the halls and do quick interviews with several authors. The recorder I had worked great except for one author. For some reason, Jon Land kept breaking the recorder. Three attempts--three failures. I was such a huge fan of his and meeting him in person already threw me into fan boy mode--so I want to give a shout out to Jon for not making me feel too bad about it. One other highlight--I was standing next to Clive Cussler when a woman came running down the aisle toward us. My job was to move Clive from the room to the signing area and I thought, “Oh, no, another fan I have to tell to head downstairs and she could chat with him there.” She got to the stage, I started to tell her she needed to go downstairs, and she said, “No, I’m here to see you. You wrote that wonderful Star Trek book.” I said, “You want to talk to me? Seriously?” I then pointed next to me and said, “That’s Clive Cussler!” Clive laughed and said, “Jeff’s got a fan.” It was surreal to say the least. Shortly after Thrillerfest, I got an offer to review for Booklist.

Thrillerfest 2008: Prior to the event, I was asked to be an official media escort for Xetera Media Services. Next time you are on a book tour that takes you to the Seattle area, have your publisher give us a call. Thrillerfest itself: Another surreal event. Authors I love to read just wandering the halls. I moderated a panel on Getting Yourself and Your Books Noticed and sitting in the audience were several writers I admired--I wanted to stop the proceedings and just run over to them and say hello. But I maintained my composure. I walked the hallways with another author and we were chatting about the big names attending. As we walked, several of these authors walked by us, stopped and said hello to me. This author kept looking at me and finally he said, “How do all of these authors know you? Are you the Thrillerfest Mayor?” I told him I honestly didn’t know and it was just a fluke. We walked upstairs and Robert Crais was just coming into the area. He saw me and said, “Jeff, how’s it going?” The author I was with looked at me and whispered, “You are the mayor.” Two seconds later, Steve Berry walked up to me and greeted me by name. I didn’t realize until later that throughout that entire experience I was not wearing my nametag. To this day that author still calls me “Mayor.” Soon after the conference, I started podcasting author interviews for Author Magazine. (www.authormagazine.org). My very first audio interview? Jon Land. And my equipment survived!

Thrillerfest 2009: I was thrilled to be asked to moderate a panel this year again and when I saw the lineup of panelists, you guessed it. When I regained consciousness, I started thinking about how amazing and fun the whole Thrillerfest experience is. The panel is called Do Thrillers Deserve More Press? And it will be on Saturday Morning at 9:30 am in the Broadway room. I will be showing some intriguing data and I think it will be a great time for both the panel and the audience. And I’m happy to report that this year will bring another level to my time at the conference. I will have a thriller that is looking for a good home. I will also be wandering the halls with two different hats on--I’ll be walking around with a recorder again (grab me and let me interview you) and I’ll be doing some behind the scenes stuff as well.

As the unofficial “Mayor” of Thrillerfest, I decree everyone come and have a great time. And, please say hello.

Sunday, May 24, 2009

Character Studies--Sherlock Holmes

I’m sitting in Chicago, Illinois as I write this, and I assume it comes as no shock to anyone reading that our recent past governor has been impeached. What has come as a shock has been the ex governor’s response to his impeachment. Rather than retreat behind the locked front door of his house, he’s thrust himself onto the national stage, giving radio interviews and signing up for a celebrity reality show. His antics have been somewhat bizarre and clown-like. As writers we could learn from watching the scenario as it plays out. How many of us would have written the deposed, soon-to-be- indicted governor as reality show contestant? One writer who might have thought of that angle is the wonderful Carl Hiaasen, who lives in Florida, where the politics can often rival Chicago’s on the bizarre meter.
This came to mind one night as I was listening to Augie Aleksy, the owner of Centuries and Sleuths bookstore in Forest Park, read from a Sherlock Holmes story. He described Holmes, as he sat in a chair in his room firing a gun into the opposite wall, forming the letters “VR” (initials of the then queen, Victoria Regina) in bullet holes. I sat up straighter. Sherlock Holmes, the intellectual violin player and brilliant but maladjusted detective hammering bullets into his own bedroom wall? The image didn’t fit with my view of Holmes. Sure, I knew about the seven percent solution of cocaine he injected at odd times, but the image of Holmes leaning back in a chair and shooting the wall, bits of plaster spraying and the noise echoing in the room, brought to mind a dark genius, too dangerous to be near and whose anger ran very, very deep. There was none of the cool logic of the world class detective.
I had the same reaction that a student might have had upon discovering that their mild- mannered professor was actually Indiana Jones. I ran to the collected works of Conan Doyle and read for myself. Not only did Holmes fire into his wall, but he’d rammed a knife through his unanswered correspondence, affixing it in the center of his mantelpiece. This last image made me laugh. It spoke volumes about how Holmes viewed the intrusion of the outside world.
Reading this classic tale of an unforgettable literary character helped me view my own characters in a new light. I’m working on my third novel now. You can believe they will do the unexpected.

Jamie Freveletti
Author
Running from the Devil
http://www.jamiefreveletti.com/

Thursday, May 21, 2009

TWF seeks PWM

Thriller Writing Female seeks Published Writer Mentor.

For this match, Craigslist simply won’t do. ThrillerFest 2009 is the pickup joint for me!

Fear not, fellow writers. I’m happily married and emotionally stable, not a predatory cougar on the prowl. But I do have an unmet relationship need. I’m an aspiring author—an unpublished novelist—and I could really benefit from a friendship with a more experienced writer. The Internet and bookstores are loaded with wonderful information about the business and craft of writing, and I’ve made good use of this material. But just as textbooks will never replace good teachers in the classroom, no amount of study can replace the role of a good mentor in a new career.

Thus one of my goals for ThrillerFest is to make connections with published writers who will give me the kind of advice that only a mentor can. A year and a half ago when I attended my first writers’ conference in San Francisco, I had the single-minded agenda of an eager beginner: get an agent. That was my only goal, but at the conference I learned so much that I was not only content to leave without an agent, I ditched most of my manuscript and started a massive rewrite.

Since then my writing, and my perspective, have changed. I still want to sell my book—so meeting an agent is important—but I’m thinking beyond that first book to my career as a whole. A published writer mentor may be the greatest asset I could have.

With that in mind, to prepare for my first ThrillerFest I’m reading as many books as possible. My choices come from a list I made of thriller writers who are currently publishing novels with a scientific or medical angle. I’m trying to read at least one book from each author to get a feel for their style. Then I’ll try to memorize the names and titles to give me instant conversation starters.

In a perfect ThrillerFest, I’d find myself seated at a table next to James Rollins, the bestselling writer who (like me) uses real science in his fantastic stories. We’d share a bottle of wine, and I’d tell him about all the remarkable things we have in common: we both live in Sacramento, we’re both doctors who trained in Missouri, and we both have secret Polish surnames. Given that such an occurrence is about as likely as some of the events in one of his Sigma Force novels, I hope to at least run into him in the hotel lobby or something. My one-second self-pitch still needs a lot of polishing: “Excuse me, Mr. Rollins, would you be my friend?” “It’s a pleasure to meet you, Dr. Czajkowski,” (horribly mangling the pronunciation, of course). “Howdy, Jim, I’m your biggest fan!”

Barring the perfect Rollins Encounter, I’ll take advantage of whatever networking opportunities come my way. My mentor doesn’t have to be famous, just knowledgeable and willing to share. My attitude for the week will match the tourism ads I’ve recently seen for Aruba: ThrillerFest. Hundreds of friends you haven’t met yet.

Dr. Amy Rogers, author of The Han Agent

Wednesday, May 20, 2009

Choosing Your ThrillerFest Experience – Establishing Goals

Writing and time management and getting the most out of your ThrillerFest experience means knowing what’s available during the convention and matching it to your wants and needs as a writer, editor, marketer or reader.

When preparing for a convention that has multiple opportunities I like to be very specific about what my goals are when I arrive. Some people like to look at the list of events, show up and play it by ear and that’s fine, I’m just not that kind of person. I worked in clinical laboratory science for 18 years so I tend to be more methodical and outcome driven.

Conventions are fun, but they are also an investment. You invest in money and in time regardless of why you’re going. If you’re going just for the fun you still need to know what’s going on and arrange to be where you think the most fun is bound to occur.

As I prepare for ThrillerFest I continually go back to the website to see if any additions or changes have occurred. I read the newsletters and emails that come in from ITW with an eye toward opportunity. I have my ThrillerFest list that includes the following:

1. What writers to do I want to meet for fun?
a. Where will they be available that I’m most likely to get to chat with them?
b. Are they doing a signing and what books would I like signed?
c. Will there be in photo ops? Where?

2. What writers to I want to meet for business?
a. Should I make an actual appointment?
b. Will I meet them as/if I can? Where?
c. What exactly do I want to talk to them about?
d. How long will the meeting last and what should I bring with me?

3. What business will I do for COS Productions and what do I need to do for ITW?

4. As a writer, what workshops or events should I attend to work on my craft?

5. As a marketer what workshops or events should I attend?

6. I like to write out goals that I can measure after the event. It gives me a sense of attaining ROI (return on investment). So I make my list and then review the percentage of workshops, events or meetings that I was actually able to attend. I’ll get very detailed in what my goals are –
a. Network with industry professionals
b. Get at least 10 business cards for COS to follow up after ThrillerFest
c. Get at least 10 commitments for ITW Interviews for later this year
d. Attend all marketing and promotions workshops and blog on those post con
e. Get pictures of party events for fun blogging on ITW social sites
f. Connect with COS clients attending ThrillerFest
g. Get at least 2 video interviews with authors attending TF to put on ITW sites

My list may change according to events and attendees. But, you can see how it is developing to ensure best ROI for the event.

Next Wednesday I’ll go over what goals you might set according to why you’re attending ThrillerFest. In the meantime, here’s a video interview I did with Alexandra Sokoloff last month during a book lovers convention in Orlando. Alex talks about some of the benefits of attending ThrillerFest. You can find more on the ITW MySpace or get up to the minute information by following us on Twitter at- thrillerwriters.

Tuesday, May 19, 2009

Accidental Thriller Writers, Part Two

Thrilleresque authors Julie Compton and Carla Buckley met last July at ThrillerFest 2008 and discovered they had more in common than raising teenagers and driving carpool. Below, they continue the discussion from their May 4 post as to what makes a thriller… a thriller.

CARLA: The very first thing I did when I sold my novel (besides jumping up and down and squealing in a high-pitched voice) was to ask: What is a thriller? You know, since I’d apparently sold one. I’d heard the term, of course, and I knew it was supposed to be a really good thing to be a thriller writer, but I didn’t know exactly what distinguished a thriller from, say, a mystery. So I very casually started poking around. The first definition I got was that a mystery is when the reader doesn’t know who committed the crime until the end; a thriller is when the reader knows who the villain is from the start and reads on to find out if the protagonist will stop him (or "it," since the villain doesn't have to be human) in time. In the case of the book I’d just sold, the villain isn’t human; moreover, the reader knows before cracking open the book exactly who the villain is.

JULIE: I think the jumping up and down and high-pitched squealing is a common occurrence among women writers who learn they've sold their first novel. I wonder what the guys do?

CARLA: Rev a Camaro. Buy cigars.

JULIE: I almost guessed "smoke a cigar," too. We think alike, Carla, have you noticed that? Perhaps they emit a low-pitched growl. Anyway, because my first novel was deemed a legal thriller – and I thought I had a pretty good grasp of that term – I really didn't start investigating the difference between a mystery and a thriller until a few reviews and interviewers referred to my book as a mystery. I started wondering, is my book a mystery? Or is it a thriller? And really, what's the difference? The definitions you found at the beginning of your search were the same ones I found, yet my novel didn't fit neatly into either definition. A legal thriller is simply a different beast. We know to expect lawyers, and we know to expect some sort of showdown in the courtroom, but otherwise, there seems to be a lot of leeway in the structure. I've read legal thrillers that have a murder near the start of the story, which would suggest they are mysteries, yet I can think of others that don't have a murder at all, or, if there is a murder, it occurs later in the plot (like mine) or the characters and reader are unaware of it until later. And then there are those legal thrillers that are more akin to a pure thriller, in that the protagonist is in a race against time to stop the "villain" – yet in many of these, even, neither the characters nor the reader know who the villain is until much later in the novel. Are you following, Carla?

CARLA: Completely. It’s a brilliant analysis. You must have been a killer in the courtroom yourself.

So, shortly after I got that definition and confidently bandied it around a few discussion forums (note to newbie authors: post under pseudonyms until you know what the heck you’re talking about), an author whom I respect said, Oh, is that what you think a thriller is? Which naturally made me stop and say, it’s not? She shook her head. A thriller simply is a book that employs a ticking clock, introduced early on, to add that thrilling, non-stop element. Now you have the protagonist racing against time to stop the villain. So I thought, okay. That makes sense.

JULIE: Are you kidding? I never know what I'm talking about. If I waited until I did, I'd never get to post anything using my real name.

Okay, so let me see if I understand. Your author friend considers a thriller to be any novel that employs a "race against time" (which, of course, adds the "thrilling" aspect to the story)? But she doesn't think it's necessary to know who (or what) the villain is right off the bat?

CARLA: Exactly. Think The Da Vinci Code. That clock is ticking so loudly you can hear it from across the room.

JULIE: I think I like that way of looking at it. It allows for a broader spectrum of structures when considering what constitutes a thriller. For example, in my second novel (which is not a legal thriller – I'm sure of that, at least), my protagonist is most definitely in a race against time to save his girlfriend's life, yet he doesn't know until later whom, exactly, he's fighting against. Hmm, I wonder if this makes it a quasi-mystery?

CARLA: Eek. Do NOT throw other terms into the blender. I’m confused enough.

So now I had two definitions, but which one was right? It seemed sort of urgent that I find out. After all, I’d signed a two-book contract. Before I began writing the second one, I thought I’d better have a firm grasp of what it was I was supposed to be writing.

Accordingly, I consulted The Oracle (aka, writer's blogs) and came across yet another definition that sounded pretty good: a mystery has the welfare of one person at stake; in a thriller, many people are threatened. I breathed a huge sigh of relief, because in my book, the entire planet’s at risk.

I have such a great villain. Too bad it comes with mucus.

JULIE: Oh, but it's the mucus that makes it such a great villain!

I've also heard that definition, but I think it's too limiting. Many thrillers are based upon a threat to only one or two people. Most often the threatened are loved ones of the protagonist. Think about Harlan Coben's Tell No One.

CARLA: Glad you like the mucus. It’s hard to write good mucus.

Anyway, I know what you mean. If we narrow the scope too much, then it excludes many books that by all accounts are considered thrillers. But I still think it’s a valid observation. When you’re talking about a threat that targets more than a single person, when the welfare of a community, or even the world, hangs in the balance – well, that’s pretty thrilling. It’s definitely not a mystery in that case, right?

JULIE: Agreed. That kind of book is most definitely a thriller. But so many others can also be considered thrillers, I think, that don't fit that particular definition. The more the merrier, I say.

CARLA: And that’s exactly why I like you. You’re like a party waiting to happen. Throw the margarita mix into the blender and throw open the doors. Everyone’s welcome!

JULIE: Just like ThrillerFest!

I think what I've come to decide is that there really is no one-size-fits-all definition for the term "thriller."

CARLA: Maybe determining what constitutes a thriller doesn’t really matter to authors. We write what we write. Maybe what really matters is how the sales teams position the books they are entrusted with and where the bookstores ultimately shelve them. One of my author friends wrote a mystery which she found shelved in the romance section of her local bookstore. She was upset, because she felt her readership wouldn’t be able to find her, but then she ended up winning a RWA award that year.

But that’s a story for another post…

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Julie Compton is the author of the legal thriller, TELL NO LIES (St. Martin's Minotaur 2008), which is also published in the UK, the Netherlands and Spain. Her second novel, RESCUING OLIVIA, will be released in February 2010.

Carla Buckley is the author of OUT OF THIN AIR, coming from Bantam Dell in 2010. She is currently at work on her second Bantam Dell novel, INVISIBLE. Both books will also be released in Germany and the UK.